Podcast: Menachem Wecker Talks about His Essay on the Problems of the Jewish Museum https://mosaicmagazine.com/observation/arts-culture/2019/05/podcast-menachem-wecker-talks-about-his-essay-on-the-problems-of-the-jewish-museum/

The author of “The Wreck of the Jewish Museum” joins us in the studio to expand on his ideas.

May 30, 2019 | Tikvah Podcast at Mosaic, Menachem Wecker
About the author: A weekly podcast, produced in partnership with the Tikvah Fund, offering up the best thinking on Jewish thought and culture. Menachem Wecker, a freelance journalist based in Washington DC, covers art, culture, religion, and education for a variety of publications.

A view of an exhibition called “Charlemagne Palestine’s Bear Mitzvah in Meshugaland” at the Jewish Museum in New York in 2017. Christina Horsten/picture alliance via Getty Images.

This Week’s Guest: Menachem Wecker


When New York’s Jewish Museum opened to the public in 1947, the eminent scholar Louis Finkelstein told the New York Times that its collection of artifacts would honor and celebrate “the singular beauty of Jewish life, as ordained in the laws of Moses, developed in the Talmud, and embellished in tradition.” Though the museum grew and changed over the decades, its commitment to this fundamentally Jewish—even religious—mission never completely disappeared from view.

But the museum’s new permanent exhibition—titled Scenes from the Collection—couldn’t be farther from realizing Finkelstein’s ambition, as Menachem Wecker has demonstrated in Mosaic’s May Essay. Filled largely with kitsch, nostalgic and otherwise, the exhibition does little more than flatter the shallowest of contemporary cultural attitudes toward Jews and Judaism.

This week, Wecker joins the Tikvah Podcast at Mosaic to discuss the ideas in his essay. He reflects on Finkelstein’s hopes for the Jewish Museum, reminds us what a great exhibition can accomplish, and  shows why Scenes from the Collection signals the wreck of  a great Jewish institution.

Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble, as well as “Shining Through the Rain” by Big Score Audio.

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