That Ḥasidim wear their faith on their sleeves both places them in anti-Semitic crosshairs and makes them cinematic fodder, as in Mel Brooks’s Rabbi Tuckman from Robin Hood: Men in Tights or Woody Allen’s persona at the Easter dinner in Annie Hall. Their clothing makes for an easy and superficial punchline, but Ḥasidism is far more interesting for the ways it infuses holiness into daily life. That emerges in a particularly compelling manner when hasidic artists tell their own stories.