A New Play about the Yiddish Theater’s Most Famous Scandal

When Sholem Asch wrote his play God of Vengeance in 1907, he was not yet established as one of the major figures of 20th-century Yiddish literature. The play became famous, in part, because of a scene in which two women kiss. (In 1923, after the play was performed in English on Broadway, the entire cast was arrested for obscenity.) The scandal that surrounded the play is the topic of a new play, Indecent, now at the Yale Repertory Theater. Josh Lambert writes in his review:

Indecent insists on itself as artifice, confection, . . . which is fitting, because what remains fascinating about God of Vengeance is that it was a work of pure fiction, the product of Asch’s imagination, which had profound effects in the real world. One of the most striking moments in Indecent is a brilliant bit of staging as [the] actors perform the final, heart-wrenching lines of God of Vengeance—in which the brothel-owning father heaves his daughter, and the Torah scroll he has bought for her, down into the cellar—four times, rotating them 90 degrees each time.

It’s as if we’re watching it first from the wings and backstage, and only finally seeing the conventional perspective the fourth time. This turns Asch’s moment of high drama into comedy—funny because it grants us a palpable sense of the uncanniness that theater companies must experience as they perform an intensely emotional crescendo night after night.

Read more at Tablet

More about: Arts & Culture, Broadway, Homosexuality, Jewish literature, Sholem Asch, Yiddish theater

How Columbia Failed Its Jewish Students

While it is commendable that administrators of several universities finally called upon police to crack down on violent and disruptive anti-Israel protests, the actions they have taken may be insufficient. At Columbia, demonstrators reestablished their encampment on the main quad after it had been cleared by the police, and the university seems reluctant to use force again. The school also decided to hold classes remotely until the end of the semester. Such moves, whatever their merits, do nothing to fix the factors that allowed campuses to become hotbeds of pro-Hamas activism in the first place. The editors of National Review examine how things go to this point:

Since the 10/7 massacre, Columbia’s Jewish students have been forced to endure routine calls for their execution. It shouldn’t have taken the slaughter, rape, and brutalization of Israeli Jews to expose chants like “Globalize the intifada” and “Death to the Zionist state” as calls for violence, but the university refused to intervene on behalf of its besieged students. When an Israeli student was beaten with a stick outside Columbia’s library, it occasioned little soul-searching from faculty. Indeed, it served only as the impetus to establish an “Anti-Semitism Task Force,” which subsequently expressed “serious concerns” about the university’s commitment to enforcing its codes of conduct against anti-Semitic violators.

But little was done. Indeed, as late as last month the school served as host to speakers who praised the 10/7 attacks and even “hijacking airplanes” as “important tactics that the Palestinian resistance have engaged in.”

The school’s lackadaisical approach created a permission structure to menace and harass Jewish students, and that’s what happened. . . . Now is the time finally to do something about this kind of harassment and associated acts of trespass and disorder. Yale did the right thing when police cleared out an encampment [on Monday]. But Columbia remains a daily reminder of what happens when freaks and haters are allowed to impose their will on campus.

Read more at National Review

More about: Anti-Semitism, Columbia University, Israel on campus