In a New Exhibit, the Jewish Museum Overlooks the Jewishness of Soviet Photographers

The Jewish Museum in New York City is currently mounting an exhibit entitled The Power of Pictures: Early Soviet Photography, Early Soviet Films. In her review, Frances Brent notes that the exhibit—although in many ways well executed—does not properly draw attention to the outsized role Jews played in early Soviet photography, or the Jewish identities of most of the artists whose work is on display:

[Take, for instance], El Lissitzky, whose experiments with photographs and mastery of photomontage grew out of the Jewish and Russian avant-garde. Lissitzky was a protean talent, and there were many iterations to his career. As a teenager he studied painting in Vitebsk with [Marc] Chagall’s teacher Yehudah Pen. He trained in Germany and later Moscow as an architect before taking part in Jewish ethnographic expeditions. He illustrated both Russian and Yiddish books—most famously Ḥad gadya, [an illustrated version of the traditional Passover song]. Under the influence of [Kazimir] Malevich he became a Suprematist and, after that, a constructivist in Moscow. From 1921 to 1925 he lived in Germany and Switzerland and experimented with printmaking, typography, and book design, adding the new techniques of photo-collage and photomontage to his repertoire.

Read more at Tablet

More about: Arts & Culture, Jewish museums, Marc Chagall, Photography, Soviet Jewry

Hizballah Is Learning Israel’s Weak Spots

On Tuesday, a Hizballah drone attack injured three people in northern Israel. The next day, another attack, targeting an IDF base, injured eighteen people, six of them seriously, in Arab al-Amshe, also in the north. This second attack involved the simultaneous use of drones carrying explosives and guided antitank missiles. In both cases, the defensive systems that performed so successfully last weekend failed to stop the drones and missiles. Ron Ben-Yishai has a straightforward explanation as to why: the Lebanon-backed terrorist group is getting better at evading Israel defenses. He explains the three basis systems used to pilot these unmanned aircraft, and their practical effects:

These systems allow drones to act similarly to fighter jets, using “dead zones”—areas not visible to radar or other optical detection—to approach targets. They fly low initially, then ascend just before crashing and detonating on the target. The terrain of southern Lebanon is particularly conducive to such attacks.

But this requires skills that the terror group has honed over months of fighting against Israel. The latest attacks involved a large drone capable of carrying over 50 kg (110 lbs.) of explosives. The terrorists have likely analyzed Israel’s alert and interception systems, recognizing that shooting down their drones requires early detection to allow sufficient time for launching interceptors.

The IDF tries to detect any incoming drones on its radar, as it had done prior to the war. Despite Hizballah’s learning curve, the IDF’s technological edge offers an advantage. However, the military must recognize that any measure it takes is quickly observed and analyzed, and even the most effective defenses can be incomplete. The terrain near the Lebanon-Israel border continues to pose a challenge, necessitating technological solutions and significant financial investment.

Read more at Ynet

More about: Hizballah, Iron Dome, Israeli Security