Mark Podwal: A Unique Artist Preoccupied with Jewish History

In an encomium to the American Jewish artist Mark Podwal, Cynthia Ozick describes his uncanny ability to create striking images that capture the themes of Jewish history. (With slideshow; originally published in 1990.)

Podwal’s genius for . . . historical contradictions—or intensifiers—[is on display] in a drawing that accompanies Elie Wiesel’s The Jews of Silence, a meditation on the travail of Soviet Jews. Moscow rises up before us with its recognizable onion-domed old churches—only the “domes,” when you look again, turn out to be the joyfully beflagged tops of decorative spice boxes—the spice boxes used in Jewish tradition for the havdalah ceremony that separates the close of the Sabbath from the ordinary weekday round. Yet these Jews are not permitted ordinary lives.

In the foreground, one spice box, attempting to escape, has been struck down and lies prostrate on Russian earth; nearby, another strives to stand erect; the letters of the Hebrew alphabet are seen coursing like musical notes—or else like a swarm of fertilizing bees—through the city. A multitude of implications bombard the eye in glorious simultaneity: the Jews of the Soviet Union remember who they are, and like the tall heads of the spice boxes aspire to freedom and hope through the continuity of the Covenant. They may be downtrodden for the moment, but the buzz of liberation animates them. Besides, there are windows in the spice boxes—some are thrown open, others are still shut, but one of them is emblazoned with a Star of David. And a free Star of David hurtles across the Moscow sky.

Read more at Tablet

More about: Arts & Culture, Cynthia Ozick, Elie Wiesel, Jewish art, Soviet Jewry

Hizballah Is Learning Israel’s Weak Spots

On Tuesday, a Hizballah drone attack injured three people in northern Israel. The next day, another attack, targeting an IDF base, injured eighteen people, six of them seriously, in Arab al-Amshe, also in the north. This second attack involved the simultaneous use of drones carrying explosives and guided antitank missiles. In both cases, the defensive systems that performed so successfully last weekend failed to stop the drones and missiles. Ron Ben-Yishai has a straightforward explanation as to why: the Lebanon-backed terrorist group is getting better at evading Israel defenses. He explains the three basis systems used to pilot these unmanned aircraft, and their practical effects:

These systems allow drones to act similarly to fighter jets, using “dead zones”—areas not visible to radar or other optical detection—to approach targets. They fly low initially, then ascend just before crashing and detonating on the target. The terrain of southern Lebanon is particularly conducive to such attacks.

But this requires skills that the terror group has honed over months of fighting against Israel. The latest attacks involved a large drone capable of carrying over 50 kg (110 lbs.) of explosives. The terrorists have likely analyzed Israel’s alert and interception systems, recognizing that shooting down their drones requires early detection to allow sufficient time for launching interceptors.

The IDF tries to detect any incoming drones on its radar, as it had done prior to the war. Despite Hizballah’s learning curve, the IDF’s technological edge offers an advantage. However, the military must recognize that any measure it takes is quickly observed and analyzed, and even the most effective defenses can be incomplete. The terrain near the Lebanon-Israel border continues to pose a challenge, necessitating technological solutions and significant financial investment.

Read more at Ynet

More about: Hizballah, Iron Dome, Israeli Security