Bach’s Religion and Bach’s Anti-Semitism

In his recent Bach & God, Michael Marissen argues that the great composer was a sincere believer and that faith animated his work far more than most scholars have assumed. Reviewing this and other books on the subject, Alex Ross pays special attention to the ways Bach depicted Jews:

The book that perhaps reveals more of Bach than any other can be found at the Concordia Seminary, in St. Louis. By chance, that organization came into possession of Bach’s copy of [the theologian] Abraham Calov’s three-volume edition of the Bible, which contains Luther’s translation alongside commentaries by Luther and Calov. Bach made notes in it and, in 1733, signed his name on the title page of each volume. The marginalia establish the fervor of his belief: no Sunday Christian could have made such acute observations. Bach singles out passages describing music as a vessel of divinity: in one note, he observes that music was “especially ordered by God’s spirit through David,” and in another he writes, “With devotional music, God is always present in His grace.” . . .

[When it comes to Jews, the] most troubling of [Bach’s sacred] cantatas is “Schauet doch und sehet” (“Behold and see”), which he composed [in 1723]. It meditates on the destruction of Jerusalem in 70 CE. In Lutheran culture, Marissen says, the fall of Jerusalem was thought to represent “God’s punishment of old Jerusalem for its sin of rejecting Jesus.” Calov quotes Luther to the effect that contemporary Jews are “children of whoredom” who must “perish eternally.” Unfortunately, it’s clear that Bach paid attention to such passages. . . .

Anti-Jewish rancor is carried over into the text of “Schauet doch.” . . . Bach’s music for [the passage treating the Jews’ punishment] is queasily unstable, with dominant-seventh and diminished-seventh chords preventing the music from settling in one key area. . . . It is a musical picture of wandering and banishment. Yet, Marissen concludes, this cantata is a poor vehicle for righteous anger against Jews. The aching dissonances of its opening lamentation and the peculiar instrumental elaborations in the closing chorale leave a mood of overhanging gloom, as if casting doubt on the notion that contemporary Christian sinners can escape the fate meted out to the Jews.

Read more at New Yorker

More about: Anti-Semitism, Arts & Culture, Christianity, Classical music, Martin Luther, Religion

Israel Just Sent Iran a Clear Message

Early Friday morning, Israel attacked military installations near the Iranian cities of Isfahan and nearby Natanz, the latter being one of the hubs of the country’s nuclear program. Jerusalem is not taking credit for the attack, and none of the details are too certain, but it seems that the attack involved multiple drones, likely launched from within Iran, as well as one or more missiles fired from Syrian or Iraqi airspace. Strikes on Syrian radar systems shortly beforehand probably helped make the attack possible, and there were reportedly strikes on Iraq as well.

Iran itself is downplaying the attack, but the S-300 air-defense batteries in Isfahan appear to have been destroyed or damaged. This is a sophisticated Russian-made system positioned to protect the Natanz nuclear installation. In other words, Israel has demonstrated that Iran’s best technology can’t protect the country’s skies from the IDF. As Yossi Kuperwasser puts it, the attack, combined with the response to the assault on April 13,

clarified to the Iranians that whereas we [Israelis] are not as vulnerable as they thought, they are more vulnerable than they thought. They have difficulty hitting us, but we have no difficulty hitting them.

Nobody knows exactly how the operation was carried out. . . . It is good that a question mark hovers over . . . what exactly Israel did. Let’s keep them wondering. It is good for deniability and good for keeping the enemy uncertain.

The fact that we chose targets that were in the vicinity of a major nuclear facility but were linked to the Iranian missile and air forces was a good message. It communicated that we can reach other targets as well but, as we don’t want escalation, we chose targets nearby that were involved in the attack against Israel. I think it sends the message that if we want to, we can send a stronger message. Israel is not seeking escalation at the moment.

Read more at Jewish Chronicle

More about: Iran, Israeli Security