Hitler’s Willing Orchestras

June 22 2017

When the Nazis came to power, Germany and Austria were the world’s great centers of classical music, and the Berlin and Vienna Philharmonics the most prestigious anywhere. They also hardly hesitated before removing the Jewish musicians in their midst, complying with demands to cease playing the music of Jewish composers, and then, after the war ended, retaining their Nazi members (including at least one former SS officer). In The Political Orchestra, the historian Fritz Trümpi tells the story of these two philharmonics’ collaboration with the Third Reich in what Terry Teachout calls “one of the most squalid chapters in the annals of Western culture.” He writes in his review:

What the two orchestras had in common was a nationalistic ethos, a belief in the superiority of Austro-German musical culture that approached triumphalism. One of the darkest manifestations of this ethos was their shared reluctance to hire Jews. The Berlin Philharmonic employed only four Jewish players in 1933, while the Vienna Philharmonic contained only eleven Jews at the time of the Anschluss, none of whom was hired after 1920. . . . By 1942, 62 of the 123 active members of the Vienna Philharmonic were Nazi party members.

The admiration that Austro-German classical musicians had for Hitler is not entirely surprising since he was a well-informed music lover who declared in 1938 that “Germany has become the guardian of European culture and civilization.” He made the support of German art, music very much included, a key part of his political program. Accordingly, the Berlin Philharmonic was placed under the direct supervision of Joseph Goebbels, who ensured the cooperation of its members by repeatedly raising their salaries, exempting them from military service, and guaranteeing their old-age pensions.

There had never been any serious question of protest, any more than there would be among the members of the Vienna Philharmonic when the Nazis gobbled up Austria. Save for the Jews and one or two non-Jewish players who were fired for reasons of internal politics, the musicians went along unhesitatingly with Hitler’s desires.

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More about: Anti-Semitism, Arts & Culture, Austria, Classical music, Nazism

The Riots on the Gaza Border are Carefully Coordinated Attacks on Israel, and Should Be Treated as Such

Jan. 16 2019

On Friday, the weekly riots at the Gaza security fence resumed in full force: 13,000 people participated, and a Palestinian woman was apparently killed by Israeli gunfire. The UN Human Rights Council (UNHCR) had established a commission of inquiry in May, not long after these riots began, “to investigate all alleged violations and abuses of international humanitarian law and international human-rights law in the Occupied Palestinian Territory, . . . particularly in the occupied Gaza Strip, in the context of the military assaults on the large-scale civilian protests that began on March 20, 2018.” In a report to the commission, Richard Kemp, a retired senior British officer, concludes, after investigating the situation at the Gaza border, that there is no evidence whatsoever of Israeli wrongdoing, and that the commission is operating under faulty assumptions:

The terms of [the commission’s] mandate are self-evidently biased against the state of Israel and the IDF. The context cited—“the military assaults on the large-scale civilian protests”—make clear that the UNHRC either failed to understand what was happening on the ground or deliberately misrepresented the reality. In addition, the commission’s mandate terms the Gaza Strip “Occupied Palestinian Territories,” which it is not. . . .

[T]he so-called “civilian protests” in reality were, and continue to be, a deliberate military operation, orchestrated and controlled by Hamas, [a] terrorist group that has been waging an armed conflict against Israel for many years. Their intention was and remains to kill and wound IDF soldiers, to break through the border fence, to murder and maim innocent civilians, to destroy property, and to compel the IDF to take defensive action resulting in the death of Gaza civilians for exploitation in the international arena. [Israel’s] “military assaults” were not what was implied by this prejudicial mandate. They were in fact lawful, proportionate, and restrained defensive actions. . . .

Suggestions that these demonstrations are [protests] against Israeli policy toward the Gaza Strip are demonstrably false and easily refuted by cursory viewing of Hamas and other public statements made at the time of the events. . . . Further, it is clear that Hamas intended this violence to continue its long-standing strategy of creating and intensifying international outrage, vilification, isolation, and criminalization of the state of Israel and its officials. . . .

[T]he starkest indication that these events were entirely under Hamas control is the simple fact that, when it suited Hamas’s political interests, the [demonstrations] occurred and were of a violent nature, and when such actions did not serve Hamas’s interests, the border was quiet. As the most recent example of this, in November 2018, Qatar began to make large cash payments to Hamas in Gaza. The most recent payment of $15 million was handed over in December 2018. These payments are reportedly part of an agreement with Hamas to diminish violence along the Gaza border. [After] the first payment, the border violence [was] reduced [and the] demonstrations [became] far more restrained.

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More about: Gaza Strip, Hamas, IDF, Israel & Zionism, Laws of war, UNHRC