A New Exhibition Looks at the History and Meaning of the Menorah

How did the menorah become one of the fundamental symbols of Jewish identity? This question and related ones are the subject of a new exhibition, titled The Menorah: Cult, History, and Myth, jointly held in Rome at the Vatican Museums and the Jewish Museum of Rome. Michael Frank relates some of the history:

Consider some of the most basic facts about the object, for starters. Why seven branches? [The ancient Roman-Jewish historian] Josephus mentions the planets (six in orbit around the sun); but there is also, he adds in a later passage, “the dignity of the number seven among the Jews”—derived from the six days of creation plus the Sabbath. Why lilies and pomegranates but no almonds? This would seem to be a confirmation that Moses’ menorah was, in fact, melted down after the destruction of the First Temple, and a new one, in a revised form, was fabricated later. Josephus describes the oil lamps lined up “in one row”; yet lampstands that were made around the time of Moses were more often arranged in three dimensions, with individual lights circling a single bowl. . . .

And then there is the fascinating puzzle of the menorah’s base. Josephus asserts that the Romans had modified it so that “its middle shaft,” he says in his account of the procession, “was fixed upon a basis.”

The menorah that was rescued from the Second Temple after it was set on fire by one of Titus’s soldiers—pointedly, the story goes, not by Titus himself, who was said to be against its destruction (see his troubled expression as depicted in two narrative paintings by Nicolas Poussin from the early 17th century)—stood up on a tripod, a detail confirmed by dozens of representations on view in these exhibitions. However, the menorah on the Arch of Titus is set in a hexagonal ferculum, or box, that was carved with animals and mythological creatures, in obvious defiance of the biblical injunction against graven images.

Read more at Tablet

More about: Arts & Culture, History & Ideas, Menorah

Israel Just Sent Iran a Clear Message

Early Friday morning, Israel attacked military installations near the Iranian cities of Isfahan and nearby Natanz, the latter being one of the hubs of the country’s nuclear program. Jerusalem is not taking credit for the attack, and none of the details are too certain, but it seems that the attack involved multiple drones, likely launched from within Iran, as well as one or more missiles fired from Syrian or Iraqi airspace. Strikes on Syrian radar systems shortly beforehand probably helped make the attack possible, and there were reportedly strikes on Iraq as well.

Iran itself is downplaying the attack, but the S-300 air-defense batteries in Isfahan appear to have been destroyed or damaged. This is a sophisticated Russian-made system positioned to protect the Natanz nuclear installation. In other words, Israel has demonstrated that Iran’s best technology can’t protect the country’s skies from the IDF. As Yossi Kuperwasser puts it, the attack, combined with the response to the assault on April 13,

clarified to the Iranians that whereas we [Israelis] are not as vulnerable as they thought, they are more vulnerable than they thought. They have difficulty hitting us, but we have no difficulty hitting them.

Nobody knows exactly how the operation was carried out. . . . It is good that a question mark hovers over . . . what exactly Israel did. Let’s keep them wondering. It is good for deniability and good for keeping the enemy uncertain.

The fact that we chose targets that were in the vicinity of a major nuclear facility but were linked to the Iranian missile and air forces was a good message. It communicated that we can reach other targets as well but, as we don’t want escalation, we chose targets nearby that were involved in the attack against Israel. I think it sends the message that if we want to, we can send a stronger message. Israel is not seeking escalation at the moment.

Read more at Jewish Chronicle

More about: Iran, Israeli Security