Donate

A Zany Israeli Television Drama Explores the World of Hip, Mizraḥi Yeshiva Students

Jan. 29 2018

The Israeli television series Shababnikim follows three students of Mizraḥi (i.e., Middle Eastern or North African) origin at an ultra-Orthodox yeshiva. Shai Secunda writes in his review:

Shababnikim gets its name from the modern Hebrew slang term for yeshiva boys on the margins. The word’s etymology—from the Arabic shabab (“youth”) capped by the Yiddish suffix -nik—hints at the charged hybridity of Mizraḥi yeshiva students in Ashkenazi institutions, and the show mines this tension for dramatic effect. For example, despite his best efforts to adopt the dress and diction of Ashkenazi ḥaredi culture, [one of the students], Meir, is demeaned by yeshiva officials and matchmakers for his North African roots. When his hardscrabble Mizraḥi neighborhood welcomes him home as a rock star—drinking in his Torah lessons and eagerly accepting his fertility blessings—Meir is awakened to his own Sephardi sexiness. As one neighbor observes, he looks like a cross between Marlon Brando and the equally stylish former chief rabbi Ovadiah Yosef.

To its credit, Shababnikim explores the fault lines between secular and ḥaredi [Israelis] with a successful combination of seriousness and silliness. Avinoam wants nothing more than to be part of broader, secular Israeli society. He buys his dark suits at Zara and takes pride in winning a football match—without realizing that though they may shop at Zara, secular Israelis dress casually and know nothing about American football. . . .

Contrary to popular conception, top ḥaredi institutions, like the Jerusalem-based Hebron yeshiva (“the Harvard of yeshivas,” as the show puts it), house stylish, relatively worldly yeshiva students who, alongside a steady diet of Lithuanian [talmudic erudition], enjoy short espressos, long secular novels, and Van Damme action movies. Perhaps most shocking to viewers are the scenes of our shababnikim casually studying late at night in their underwear, to the strains of Israeli soft rock and the sweet drag of a cigarette. . . . [T]heir remarkable comfort in their own skins and willingness to flirt with hedonism and heresy is a legacy of East European yeshiva life, . . . where some students imagined themselves philosopher princes who should dress smartly and not fret about excessive pieties.

Read more at Jewish Review of Books

More about: Arts & Culture, Haredim, Israeli society, Mizrahi Jewry, Television, Yeshiva

Mahmoud Abbas Comes to the UN to Walk away from the Negotiating Table

Feb. 22 2018

On Tuesday, the Palestinian Authority president, Mahmoud Abbas, addressed the United Nations Security Council during one of its regular discussions of the “Palestine question.” He used the opportunity to elaborate on the Palestinians’ “5,000-year history” in the land of Israel, after which he moved on to demand—among other things—that the U.S. reverse its recognition of Jerusalem as Israel’s capital. The editors of the Weekly Standard comment:

It’s convenient for Abbas to suggest a condition to which he knows the United States won’t accede. It allows him to do what he does best—walk away from the table. Which is what he did on Tuesday, literally. After his speech, Abbas and his coterie of bureaucrats walked out of the council chamber, snubbing the next two speakers, the Israeli ambassador Danny Danon and the U.S. ambassador Nikki Haley, . . . [in order to have his] photograph taken with the Belgian foreign minister.

Abbas has neither the power nor the will to make peace. It’s the perennial problem afflicting Palestinian leadership. If he compromises on the alleged “right of return”—the chimerical idea that Palestinians can re-occupy the lands from which they [or their ancestors] fled, in effect obliterating the Israeli state—he will be deposed by political adversaries. Thus his contradictory strategy: to prolong his pageantry in international forums such as the UN, and to fashion himself a “moderate” even as he finances and incites terror. He seems to believe time is on his side. But it’s not. He’s eighty-two. While he continues his performative intransigence, he further immiserates the people he claims to represent.

In a sense, it was entirely appropriate that Abbas walked out. In that sullen act, he [exemplified] his own approach to peacemaking: when difficulties arise, vacate the premises and seek out photographers.

Read more at Weekly Standard

More about: Mahmoud Abbas, Nikki Haley, Politics & Current Affairs, United Nations