The Tabernacle as a Biblical Lesson in Artistic Creativity

The final chapters of the book of Exodus are largely concerned with the construction of the tabernacle—the portable precursor to the First Temple—used by the Israelites in the wilderness. After examining how these passages were understood by Christian theologians in Reformation-era England, Ranana Dine examines what can be gleaned from uniquely rabbinic readings:

For the [talmudic] rabbis, the tabernacle reflects God’s own creation of the world and other aspects of divinity—the command to the Israelites to construct the building is [a way in which He allows] people [to serve] as partners in divine creation. . . .

[The 20th-century exegete] Nechama Leibowitz, drawing on [these] earlier commentators, has drawn parallels between the Bible’s description of the tabernacle’s construction and the first creation narrative in Genesis. In particular, many of the verbs, such as “saw,” “blessed,” and “completed” occur in both texts, giving the impression that the construction of the tabernacle requires the same actions as God’s creation of the world. . . .

[In light of such interpretations], it is possible to read these passages . . . as suggesting that artistic creation—designing, construction, crafting—can be part of divine work, part of godly creation, and perhaps even require a bit of the divine spirit. By weaving or chiseling we too can participate in a type of creation, although we lack the [explicit] divine command today to build a dwelling place for God. . . . [Thus, in] Jewish theology, the beauty of the tabernacle and the Temple is godly in its essence, containing the traces of the human-divine partnership in ongoing creation.

Read more at Lehrhaus

More about: Art, Exodus, Hebrew Bible, Religion & Holidays, Tabernacle

Israel Just Sent Iran a Clear Message

Early Friday morning, Israel attacked military installations near the Iranian cities of Isfahan and nearby Natanz, the latter being one of the hubs of the country’s nuclear program. Jerusalem is not taking credit for the attack, and none of the details are too certain, but it seems that the attack involved multiple drones, likely launched from within Iran, as well as one or more missiles fired from Syrian or Iraqi airspace. Strikes on Syrian radar systems shortly beforehand probably helped make the attack possible, and there were reportedly strikes on Iraq as well.

Iran itself is downplaying the attack, but the S-300 air-defense batteries in Isfahan appear to have been destroyed or damaged. This is a sophisticated Russian-made system positioned to protect the Natanz nuclear installation. In other words, Israel has demonstrated that Iran’s best technology can’t protect the country’s skies from the IDF. As Yossi Kuperwasser puts it, the attack, combined with the response to the assault on April 13,

clarified to the Iranians that whereas we [Israelis] are not as vulnerable as they thought, they are more vulnerable than they thought. They have difficulty hitting us, but we have no difficulty hitting them.

Nobody knows exactly how the operation was carried out. . . . It is good that a question mark hovers over . . . what exactly Israel did. Let’s keep them wondering. It is good for deniability and good for keeping the enemy uncertain.

The fact that we chose targets that were in the vicinity of a major nuclear facility but were linked to the Iranian missile and air forces was a good message. It communicated that we can reach other targets as well but, as we don’t want escalation, we chose targets nearby that were involved in the attack against Israel. I think it sends the message that if we want to, we can send a stronger message. Israel is not seeking escalation at the moment.

Read more at Jewish Chronicle

More about: Iran, Israeli Security