Claude Lanzmann’s “Shoah” Memorialized Its Subject in a Way Nothing Else Could

On July 5, Claude Lanzmann—whose epic documentary Shoah brought the story of Hitler’s war against the Jews to thousands, if not millions, of viewers—died at the age of ninety-two. Walter Reich reflects on Lanzmann’s contributions, and on years of showing the film to students in a course on the Holocaust:

[S]ome sources of Holocaust memory that we study can muddy it, especially commercial films. For a Holocaust-related commercial film to be successful, it usually has to leave the viewer feeling at least some sense of relief, such as the rescue of a thousand Jews by Oskar Schindler, some of whom are shown at the end of the film, with their children, paying homage to his memory at his stone in a Christian cemetery in Jerusalem. Films that are brutally honest fail commercially—such as The Grey Zone, probably the finest Holocaust film ever made. Some films utterly distort Holocaust memory for millions. The worst offender was Life Is Beautiful, which won an Oscar, was seen by many millions around the world, and was a sentimentally saccharine lie. After watching this feel-good creation, some viewers imagined that in the Holocaust Jews routinely joked around and children survived in barracks thinking they were playing games. . . .

But the testimonies preserved in Lanzmann’s Shoah, and the film as a whole, are a source of Holocaust memory in a class by itself. My students experience the wrenching words of survivors uttered in the very places where they were among the few who weren’t murdered. They watch local citizens who knew of the killing operations even as they looked the other way and even as they saw Jews through anti-Semitic lenses. And they watch killers being interviewed. In Shoah, the survivors are far younger than the ones who have been filmed in recent years, far closer to the event itself. . . .

Toward the end of my Holocaust-memory course, the students study the ways in which that memory has been denied by anti-Semites; hijacked by government officials, including our own, to further political ends; distorted by nationalists in Eastern Europe who want to cleanse their own countries of the stains left by the participation of their own citizens in murdering Jews; and inverted by enemies of Israel by claiming that the Jewish state is doing to others what others once did to Jews. All this even as survivors of the Holocaust die and their living voices of conscience are stilled.

Except as preserved in great works. And the greatest of them all is Claude Lanzmann’s Shoah.

Read more at Tablet

More about: Claude Lanzmann, Film, History & Ideas, Holocaust

How America Sowed the Seeds of the Current Middle East Crisis in 2015

Analyzing the recent direct Iranian attack on Israel, and Israel’s security situation more generally, Michael Oren looks to the 2015 agreement to restrain Iran’s nuclear program. That, and President Biden’s efforts to resurrect the deal after Donald Trump left it, are in his view the source of the current crisis:

Of the original motivations for the deal—blocking Iran’s path to the bomb and transforming Iran into a peaceful nation—neither remained. All Biden was left with was the ability to kick the can down the road and to uphold Barack Obama’s singular foreign-policy achievement.

In order to achieve that result, the administration has repeatedly refused to punish Iran for its malign actions:

Historians will survey this inexplicable record and wonder how the United States not only allowed Iran repeatedly to assault its citizens, soldiers, and allies but consistently rewarded it for doing so. They may well conclude that in a desperate effort to avoid getting dragged into a regional Middle Eastern war, the U.S. might well have precipitated one.

While America’s friends in the Middle East, especially Israel, have every reason to feel grateful for the vital assistance they received in intercepting Iran’s missile and drone onslaught, they might also ask what the U.S. can now do differently to deter Iran from further aggression. . . . Tehran will see this weekend’s direct attack on Israel as a victory—their own—for their ability to continue threatening Israel and destabilizing the Middle East with impunity.

Israel, of course, must respond differently. Our target cannot simply be the Iranian proxies that surround our country and that have waged war on us since October 7, but, as the Saudis call it, “the head of the snake.”

Read more at Free Press

More about: Barack Obama, Gaza War 2023, Iran, Iran nuclear deal, U.S. Foreign policy