Remembering Claude Lanzmann and His On-Screen Portrayal of the Holocaust

July 11 2018

Claude Lanzmann, whose 1985 documentary Shoah deeply affected the way many saw the destruction of European Jewry, died last week at the age of ninety-two. Henry Gonshak revisits his work:

Shoah is almost unique among Holocaust documentaries in that Lanzmann used no documentary footage, usually gleaned from Nazi archives, or any fictionalized scenes. Instead, the movie is composed exclusively of interviews with those who became entangled, for one reason or another, in the Holocaust: survivors, witnesses, and perpetrators. Lanzmann justified this approach by insisting it was the only way to represent the Holocaust authentically.

After Shoah was released, Lanzmann became a constant critic of the slew of Holocaust films that took more license than he had with the historical record. He attacked Steven Spielberg’s 1993 blockbuster Schindler’s List, accusing it of “commodification” of the Holocaust, because Spielberg used professional actors and invented several scenes from whole cloth. Perhaps Lanzmann imposed excessively strict limitations on the boundaries of Holocaust representation. I don’t believe the Holocaust alone must be represented with no degree of artistic latitude—a demand not made of the portrayals of any other genocide. However, without question, Lanzmann’s narrow approach worked brilliantly in Shoah. . . .

Lanzmann’s directorial style eschewed the “fly on the wall” technique employed by many other documentarians, where the director serves purely as witness, taking no active role in the unfolding action. Instead, Lanzmann is a constant presence in his movie, both on and off camera, asking pointed questions that at times verge on badgering his often-fragile subjects. . . .

Not only did Lanzmann interview survivors and witnesses, but he also spoke with perpetrators—another directorial decision that provoked controversy. For example, Lanzmann talked to Franz Suchomel, who had been an SS functionary at Treblinka and after the war was convicted of war crimes and spent six years in a West German prison. . . . Initially reticent, Suchomel became more garrulous as the interview progressed, until by the end he was regaling the director with a camp song composed by the SS. Lanzmann’s interview with Suchomel demonstrates that many perpetrators felt no remorse for their participation in genocide.

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More about: Claude Lanzmann, Film, History & Ideas, Holocaust

Zionists Can, and Do, Criticize Israel. Are Anti-Zionists Capable of Criticizing Anti-Semitism?

Dec. 12 2018

Last week, the New York Times columnist Michelle Goldberg defended the newly elected anti-Israel congresswomen Rashida Tlaib and Ilhan Omar, ostensibly arguing that anti-Zionism and anti-Semitism aren’t identical. Abe Greenwald comments:

Tlaib . . . has tweeted and retweeted her enthusiasm for terrorists such as Rasmea Odeh, who murdered two American students in a Jerusalem supermarket in 1969. If Tlaib’s anti-Zionism is of the Jew-loving kind, she has a funny way of showing it.

Ilhan Omar, for her part, once tweeted, “Israel has hypnotized the world, may Allah awaken the people and help them see the evil doings of Israel.” And wouldn’t you know it, just because she believes that Zionist hypnotists have cast global spells masking Israeli evil, some people think she’s anti-Semitic! Go figure! . . .

Goldberg spends the bulk of her column trying very hard to uncouple American Jewishness from Israel. To do that, she enumerates Israel’s sins, as she sees them. . . . [But] her basic premise is at odds with reality. Zionists aren’t afraid of finding fault with Israel and don’t need to embrace anti-Zionism in order to [do so]. A poll conducted in October by the Jewish Electorate Institute found that a majority of Americans Jews have no problem both supporting Israel and criticizing it. And unlike Goldberg, they have no problem criticizing anti-Semitism, either.

Goldberg gives the game away entirely when she discusses the discomfort that liberal American Jews have felt in “defending multi-ethnic pluralism here, where they’re in the minority, while treating it as unspeakable in Israel, where Jews are the majority.” She adds: “American white nationalists, some of whom liken their project to Zionism, love to poke at this contradiction.” Read that again. She thinks the white nationalists have a point. Because, really, what anti-Semite doesn’t?

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More about: Anti-Semitism, Israel & Zionism, New York Times