A Very Brief History of Ladino Literature

April 7 2015

The Sephardi Jews who settled in the Ottoman empire created a rich and varied literature in Ladino—their own dialect of Spanish written in Hebrew characters. Avner Perez traces the history of this literature and its connection to contemporary Spanish literature:

For a long time, researchers thought that literary creation in Ladino had only begun in the first third of the 18th century. Material discovered in recent years has given us a completely different picture. The intellectual elite of the exiled Jews spoke a [uniquely Jewish] dialect, but was still part of the Hispanic world and used literary Castilian in its literary creations. What set [the language of these works] apart [from standard Castilian Spanish] was its use of Hebrew characters as well as the presence of other [distinctive Ladino features].

Three pieces of classical theater in Judeo-Spanish printed in Hebrew characters, dating back to the end of the 16th century, have come down to us. They were the first such pieces printed in Hebrew characters. Two of them, Aquilana, by Bartolome de Torres Navarro (1480-1530), and Tragedia Josephina, by Micael de Carvajal (who died in 1578), are pieces of Spanish classical theater [rendered into an early form of Ladino]. The third, Ma’aseh Yosef (“Joseph’s Tale”), . . . is an original work. All this shows that the intelligentsia that descended from exiles from Spain had a rich cultural life. The channels through which they received the Spanish Renaissance culture were still open.

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Read more at eSefarad

More about: Arts & Culture, Jewish literature, Ladino, Ottoman Empire, Sephardim

 

How European Fecklessness Encourages the Islamic Republic’s Assassination Campaign

In September, Cypriot police narrowly foiled a plot by an Iranian agent to murder five Jewish businessman. This was but one of roughly a dozen similar operations that Tehran has conducted in Europe since 2015—on both Israeli or Jewish and American targets—which have left three dead. Matthew Karnitschnig traces the use of assassination as a strategic tool to the very beginning of the Islamic Republic, and explains its appeal:

In the West, assassination remains a last resort (think Osama bin Laden); in authoritarian states, it’s the first (who can forget the 2017 assassination by nerve agent of Kim Jong-nam, the playboy half-brother of North Korean dictator Kim Jong-un, upon his arrival in Kuala Lumpur?). For rogue states, even if the murder plots are thwarted, the regimes still win by instilling fear in their enemies’ hearts and minds. That helps explain the recent frequency. Over the course of a few months last year, Iran undertook a flurry of attacks from Latin America to Africa.

Whether such operations succeed or not, the countries behind them can be sure of one thing: they won’t be made to pay for trying. Over the years, the Russian and Iranian regimes have eliminated countless dissidents, traitors, and assorted other enemies (real and perceived) on the streets of Paris, Berlin, and even Washington, often in broad daylight. Others have been quietly abducted and sent home, where they faced sham trials and were then hanged for treason.

While there’s no shortage of criticism in the West in the wake of these crimes, there are rarely real consequences. That’s especially true in Europe, where leaders have looked the other way in the face of a variety of abuses in the hopes of reviving a deal to rein in Tehran’s nuclear-weapons program and renewing business ties.

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Read more at Politico

More about: Europe, Iran, Israeli Security, Terrorism