Why Read Sholem Aleichem?

Yesterday was the 99th anniversary of the death of the great Yiddish writer on whose stories the musical Fiddler on the Roof was based. Jeremy Dauber explains why Sholem Aleichem’s work remains relevant by suggesting three ways it can be read (2014):

The first [way]—and in some ways the most direct, but in other ways the most limited—is to read Sholem Aleichem as a Jew. . . . To see if his theses—the importance of cherishing your own history and culture; the delights of Jewish language (Yiddish primarily, but Sholem Aleichem was also a great lover of Hebrew, and some of his earliest work was in that language); and the importance of the Jewish home, both in Yiddishland and in Zion—can illuminate your own ways of living in the world as a Jewish person today.

The second, wider way of reading Sholem Aleichem is as a reader. Many of Sholem Aleichem’s critics, after his death, accused him of being little more than a stenographer or tape recorder; they said his uncanny re-creations of the voices of a whole tapestry of East European Jewish life were little more than a ventriloquism act. Even a cursory reading of the stories shows just how unfair this is—in fact, the stories are a bonanza for anyone interested in monologue, in literary game-playing with persona and personality, with narrative and closure, and with the careful and clever use of allusion. . . .

But, ultimately, the third way to read Sholem Aleichem is, I think, the most important. And that is to read him, quite simply, as a human being.

Read more at Pakn Treger

More about: Arts & Culture, Fiddler on the Roof, Jewish literature, Sholem Aleichem, Yiddish literature

How Columbia Failed Its Jewish Students

While it is commendable that administrators of several universities finally called upon police to crack down on violent and disruptive anti-Israel protests, the actions they have taken may be insufficient. At Columbia, demonstrators reestablished their encampment on the main quad after it had been cleared by the police, and the university seems reluctant to use force again. The school also decided to hold classes remotely until the end of the semester. Such moves, whatever their merits, do nothing to fix the factors that allowed campuses to become hotbeds of pro-Hamas activism in the first place. The editors of National Review examine how things go to this point:

Since the 10/7 massacre, Columbia’s Jewish students have been forced to endure routine calls for their execution. It shouldn’t have taken the slaughter, rape, and brutalization of Israeli Jews to expose chants like “Globalize the intifada” and “Death to the Zionist state” as calls for violence, but the university refused to intervene on behalf of its besieged students. When an Israeli student was beaten with a stick outside Columbia’s library, it occasioned little soul-searching from faculty. Indeed, it served only as the impetus to establish an “Anti-Semitism Task Force,” which subsequently expressed “serious concerns” about the university’s commitment to enforcing its codes of conduct against anti-Semitic violators.

But little was done. Indeed, as late as last month the school served as host to speakers who praised the 10/7 attacks and even “hijacking airplanes” as “important tactics that the Palestinian resistance have engaged in.”

The school’s lackadaisical approach created a permission structure to menace and harass Jewish students, and that’s what happened. . . . Now is the time finally to do something about this kind of harassment and associated acts of trespass and disorder. Yale did the right thing when police cleared out an encampment [on Monday]. But Columbia remains a daily reminder of what happens when freaks and haters are allowed to impose their will on campus.

Read more at National Review

More about: Anti-Semitism, Columbia University, Israel on campus