Singing Verdi in Theresienstadt

In 1943, the conductor Raphael Schachter, an inmate at the Theresienstadt concentration camp, mounted a performance of Giuseppe Verdi’s Requiem with 150 of his fellow prisoners serving as the chorus. An orchestral performance of the same piece, combined with narration and video and entitled “Defiant Requiem: Verdi at Terezin” has just finished a tour of the U.S. as one of many recent efforts to recreate music produced or performed by Jews during the Holocaust. Matt Lebovic writes of the original Theresienstadt concert:

Theresienstadt’s Council of Jewish Elders—nominally in charge of the ghetto—was vehemently opposed to Schachter’s productions. Not only were Jews performing a Catholic funeral mass, but it was possible the camp’s Nazi rulers would see an act of defiance and deport the entire cast. It was also said that by performing their own funeral mass, the Jewish prisoners were “apologizing for existing.”

To end the debate, Schachter offered each performer the opportunity to bow out of the production, but not one of them did so. After performing the Requiem fifteen times to enraptured audiences, the inmate choir gathered for what would be its final performance on June 23, 1944.

Seated in the front row was Adolf Eichmann . . . and other SS officials. A Red Cross delegation was also in attendance, as part of its mission to vet the camp for signs of genocide. If only in the minds of the imprisoned choir members, Verdi’s funeral mass was used to condemn the Nazi perpetrators watching their Jewish victims perform. As Schachter most famously told his choir, “We will sing to the Nazis what we cannot say to them.”

Read more at Times of Israel

More about: Adolf Eichmann, Arts & Culture, Classical music, Holocaust, Theresienstadt

What a Strategic Victory in Gaza Can and Can’t Achieve

On Tuesday, the Israeli defense minister Yoav Gallant met in Washington with Secretary of State Antony Blinken and Secretary of Defense Lloyd Austin. Gallant says that he told the former that only “a decisive victory will bring this war to an end.” Shay Shabtai tries to outline what exactly this would entail, arguing that the IDF can and must attain a “strategic” victory, as opposed to merely a tactical or operational one. Yet even after a such a victory Israelis can’t expect to start beating their rifles into plowshares:

Strategic victory is the removal of the enemy’s ability to pose a military threat in the operational arena for many years to come. . . . This means the Israeli military will continue to fight guerrilla and terrorist operatives in the Strip alongside extensive activity by a local civilian government with an effective police force and international and regional economic and civil backing. This should lead in the coming years to the stabilization of the Gaza Strip without Hamas control over it.

In such a scenario, it will be possible to ensure relative quiet for a decade or more. However, it will not be possible to ensure quiet beyond that, since the absence of a fundamental change in the situation on the ground is likely to lead to a long-term erosion of security quiet and the re-creation of challenges to Israel. This is what happened in the West Bank after a decade of relative quiet, and in relatively stable Iraq after the withdrawal of the United States at the end of 2011.

Read more at BESA Center

More about: Gaza War 2023, Hamas, IDF