A Jewish-Israeli Artistic Genius

Sept. 18 2015

Yosl Bergner has for decades been a leading figure in Israeli art. Bergner grew up in Montreal, the son of the great Yiddish-language poet and essayist Melekh Ravitch. Ruth Wisse reflects on her longstanding friendship with Bergner, who will turn ninety-five next month, and on his career as an artist. Although today best known for his paintings, he also drew illustrations for the work of Franz Kafka and the Yiddish writer I. L. Peretz:

Melekh Ravitch began translating [Kafka’s work] into Yiddish in 1924. Yosl was proud that his father had been the first Yiddish writer to recognize Kafka’s genius, and the illustrations he did for Ravitch’s book were part of the Kafka series that cemented his international reputation. Yosl himself felt a powerful artistic affinity with Kafka, and he adapted the style of Kafka’s marginal line drawings for his Kafka works. Nonetheless, I don’t feel in Yosl the angst that Kafka conveys, and—at least for me—this is much to Bergner’s advantage. Kafka did not feel at home in his German language, did not feel at ease in his bourgeois home, did not love and honor his insensitive father, did not feel comfortable in his own skin.

In a widely quoted image from a letter to his friend Max Brod, Kafka describes Jews “with their hind legs fastened to the Jewish traditions of their fathers and with their forelegs getting no ground under their feet. The despair thus ensuing translates into inspiration.” Yosl understood such anxiety, but he had already found his footing and was moving forward. Part of this was thanks to Ravitch, who was content to have his son become an artist—as long as he did not give him too much competition—and Yosl, who is a terrific storyteller, obliged his father by choosing another medium for his art. . . .

Whereas Kafka’s father had transitioned from Yiddish to German and downplayed his Jewishness in becoming a respectable Czech burgher, Ravitch after World War I moved culturally in the opposite direction. He left his native German and Polish languages to speak Yiddish and moved from Vienna into the heart of Jewish Warsaw. As the son of such a father—one who rebelled against the bourgeois ideal by becoming a Yiddish writer—Yosl could legitimately take up a career of art. . . . We are accustomed to rebellions of sons against fathers, but Yosl came at modernism from the other side: Ravitch the modernist may have dulled for his son some of the novelty of novelty.

Read more at Jewish Review of Books

More about: Arts & Culture, Franz Kafka, Israeli culture, Jewish art, Modernism, Montreal

Hebron’s Restless Palestinian Clans, and Israel’s Missed Opportunity

Over the weekend, Elliot Kaufman of the Wall Street Journal reported about a formal letter, signed by five prominent sheikhs from the Judean city of Hebron and addressed to the Israeli economy minister Nir Barkat. The letter proposed that Hebron, one of the West Bank’s largest municipalities, “break out of the Palestinian Authority (PA), establish an emirate of its own, and join the Abraham Accords.” Kaufman spoke with some of the sheikhs, who emphasized their resentment at the PA’s corruption and fecklessness, and their desire for peace.

Responding to these unusual events, Seth Mandel looks back to what he describes as his favorite “‘what if’ moment in the Arab-Israeli conflict,” involving

a plan for the West Bank drawn up in the late 1980s by the former Israeli foreign minister Moshe Arens. The point of the plan was to prioritize local Arab Palestinian leadership instead of facilitating the PLO’s top-down governing approach, which was corrupt and authoritarian from the start.

Mandel, however, is somewhat skeptical about whether such a plan can work in 2025:

Yet, . . . while it is almost surely a better idea than anything the PA has or will come up with, the primary obstacle is not the quality of the plan but its feasibility under current conditions. The Arens plan was a “what if” moment because there was no clear-cut governing structure in the West Bank and the PLO, then led by Yasir Arafat, was trying to direct the Palestinian side of the peace process from abroad (Lebanon, then Tunisia). In fact, Arens’s idea was to hold local elections among the Palestinians in order to build a certain amount of democratic legitimacy into the foundation of the Arab side of the conflict.

Whatever becomes of the Hebron proposal, there is an important lesson for Gaza from the ignored Arens plan: it was a mistake, as one sheikh told Kaufman, to bring in Palestinian leaders who had spent decades in Tunisia and Lebanon to rule the West Bank after Oslo. Likewise, Gaza will do best if led by the people there on the ground, not new leaders imported from the West Bank, Qatar, or anywhere else.

Read more at Commentary

More about: Hebron, Israeli-Palestinian Conflict, West Bank