Synagogue vs. Museum: Yehuda Amichai’s Poetry of Judaism

Jan. 19 2016

“Poem without End,” by the Israeli poet Yehuda Amichai, opens with the image of an “old synagogue” housed inside a “brand-new museum.” Using this image as her point of departure, Sarah Rindner explores the place of the Jewish religion in Amichai’s work:

For Amichai, the synagogue is not merely a relic from an outdated past; rather, it lives [on], and he lives inside it. Moreover, the synagogue lives within him and so on, creating the never-ending cycle of the poem’s title.

Amichai, famously, identified as secular but grew up in an Orthodox Jewish home and tirelessly engaged with Jewish history, rituals, and texts. It is easy, then, to understand his connection with the world of the synagogue, but the significance of the “museum” that “dwells within his heart” is less clear. . . .

[P]erhaps Amichai is invoking the museum as a representation of “high” culture, a place in which religious belief and practice are concretized and turned into art. [If so, then] it is not just [that] the Jewish faith is embedded in the poet’s heart, but that [Judaism] is also somehow itself linked to artistic or literary expression. . . . This engagement with Judaism via art becomes inextricable from Amichai’s own self as a Jew and a poet, and is then folded back into the substance of the religion itself, as represented by the synagogue.

Read more at Book of Books

More about: Arts & Culture, Hebrew poetry, Israeli literature, Jewish museums, Judaism, Synagogue

 

Israel’s Qatar Dilemma, and How It Can Be Solved

March 26 2025

Small in area and population and rich in natural gas, Qatar plays an outsize role in the Middle East. While its support keeps Hamas in business, it also has vital relations with Israel that are much better than those enjoyed by many other Arab countries. Doha’s relationship with Washington, though more complex, isn’t so different. Yoel Guzansky offers a comprehensive examination of Israel’s Qatar dilemma:

At first glance, Qatar’s foreign policy seems filled with contradictions. Since 1995, it has pursued a strategy of diplomatic hedging—building relationships with multiple, often competing, actors. Qatar’s vast wealth and close ties with the United States have enabled it to maneuver independently on the international stage, maintaining relations with rival factions, including those that are direct adversaries.

Qatar plays an active role in international diplomacy, engaging in conflict mediation in over twenty regions worldwide. While not all of its mediation efforts have been successful, they have helped boost its international prestige, which it considers vital for its survival among larger and more powerful neighbors. Qatar has participated in mediation efforts in Venezuela, Lebanon, Iran, Afghanistan, and other conflict zones, reinforcing its image as a neutral broker.

Israel’s stated objective of removing Hamas from power in Gaza is fundamentally at odds with Qatar’s interest in keeping Hamas as the governing force. In theory, if the Israeli hostages would to be released, Israel could break free from its dependence on Qatari mediation. However, it is likely that even after such a development, Qatar will continue positioning itself as a mediator—particularly in enforcing agreements and shaping Gaza’s reconstruction efforts.

Qatar’s position is strengthened further by its good relations with the U.S. Yet, Guzansky notes, it has weaknesses as well that Israel could exploit:

Qatar is highly sensitive to its global image and prides itself on maintaining a neutral diplomatic posture. If Israel chooses to undermine Qatar’s reputation, it could target specific aspects of Qatari activity that are problematic from an Israeli perspective.

Read more at Institute for National Security Studies

More about: Hamas, Israel diplomacy, Qatar, U.S. Foreign policy