Turkey’s Anti-Semitic, Anti-Democratic, Pro-Erdogan Hit Television Drama

One of Turkish television’s most popular series, The Last Emperor, tells of the final years of Sultan Abdulhamid II—before he was overthrown in 1909 by advocates of constitutional monarchy. While Abdulhamid is still remembered by many in Turkey as the ruler who revoked the Ottoman empire’s short-lived first constitution, instigated bloody pogroms against Armenians and other minorities, and cultivated a pan-Islamist ideology, the show makes him its hero. Aykan Erdemir and Oren Kessler describe its depiction of his opponents:

Of all the series’ villains, none are more sinister than the Jews. Two minutes into its very first scene, Abdulhamid is riding in a procession in Istanbul when a mustachioed onlooker flips a coin into the hand of one of the royal guards. The soldier opens his hand to find the coin is etched with a Star of David surrounding a squat cross in the style favored by Crusaders and Freemasons. The signal thus received, dozens of his fellow guards turn around and open fire on the royal carriage. The screen fades to black—and to the crescent moon that accompanies the mournful opening theme.

Later in the episode we learn that underneath the coin-flipper’s Ottoman fez is the black skullcap of a Catholic priest, for he is a Vatican emissary working for none other than Theodor Herzl, the Jewish Austrian journalist who founded modern Zionism. Herzl, his beguiling assistant Sarah, and their various co-conspirators are forever haunting Istanbul, meeting with wayward members of the sultan’s family who are themselves intoxicated by deviant, imported ideas such as popular sovereignty. Herzl is the series’ arch-villain, so perfidious as to hold his penniless father imprisoned without his mother’s knowledge — all because the old man opposes Zionism. . . .

As with much of The Last Emperor, most of [what involves Jews is inaccurate]. . . . . [But] this revisionism would be less egregious if the show portrayed itself—accurately—as historical fiction. Instead, a split-second screen at the start of each episode declares that the program is “inspired by real historical events.” . . . President Erdogan [praised the show himself], telling state TV, “The same schemes are carried out today in the exact same manner. . . . What the West does to us is the same; just the era and actors are different.”

Read more at Washington Post

More about: Anti-Semitism, Arts & Culture, Ottoman Empire, Recep Tayyip Erdoğan, Television, Turkey

Israel Just Sent Iran a Clear Message

Early Friday morning, Israel attacked military installations near the Iranian cities of Isfahan and nearby Natanz, the latter being one of the hubs of the country’s nuclear program. Jerusalem is not taking credit for the attack, and none of the details are too certain, but it seems that the attack involved multiple drones, likely launched from within Iran, as well as one or more missiles fired from Syrian or Iraqi airspace. Strikes on Syrian radar systems shortly beforehand probably helped make the attack possible, and there were reportedly strikes on Iraq as well.

Iran itself is downplaying the attack, but the S-300 air-defense batteries in Isfahan appear to have been destroyed or damaged. This is a sophisticated Russian-made system positioned to protect the Natanz nuclear installation. In other words, Israel has demonstrated that Iran’s best technology can’t protect the country’s skies from the IDF. As Yossi Kuperwasser puts it, the attack, combined with the response to the assault on April 13,

clarified to the Iranians that whereas we [Israelis] are not as vulnerable as they thought, they are more vulnerable than they thought. They have difficulty hitting us, but we have no difficulty hitting them.

Nobody knows exactly how the operation was carried out. . . . It is good that a question mark hovers over . . . what exactly Israel did. Let’s keep them wondering. It is good for deniability and good for keeping the enemy uncertain.

The fact that we chose targets that were in the vicinity of a major nuclear facility but were linked to the Iranian missile and air forces was a good message. It communicated that we can reach other targets as well but, as we don’t want escalation, we chose targets nearby that were involved in the attack against Israel. I think it sends the message that if we want to, we can send a stronger message. Israel is not seeking escalation at the moment.

Read more at Jewish Chronicle

More about: Iran, Israeli Security