A Play about a Great Yiddish Play Mangles Its Source to Make Lesbianism Seem Scandalous Again

June 26 2017

Written by Sholem Asch (1880–1952), one of the most prominent Yiddish writers of his day, the play God of Vengeance tells of a brothel keeper striving for respectability along with religious absolution for his life of sin. The current Broadway play Indecent tells the story of the Asch play, focusing on its production on the New York Yiddish stage, which was shut down for obscenity—specifically, a lesbian romance between the brothel keeper’s daughter and one of his employees. In her review, Ruth Wisse assails Indecent for misunderstanding both Asch’s work and its reception:

[A]s far as Indecent is concerned, God of Vengeance is a play about lesbians. Not only that, according to [its creators] Rebecca Taichman and Paula Vogel (both of whom are gay), lesbianism also defined the backstage drama of its performance history: they also depict the lesbian characters being played by lesbian actresses who live openly together as the play tours Europe and comes to America. The American censorship of the play was [supposedly] due to its depiction of lesbianism. And lest any gravestone be left unturned, Indecent takes us into a Polish ghetto in the final stages of Hitler’s Final Solution where starving and soon-to-be executed Jews perform the women’s love scene.

But this reduces God of Vengeance to a contemporary sexual-politics polemic when it is far more ambiguous and complicated than that. . . . Indecent has no real interest in either Asch’s play or the obscenity trial except to use them to provide fuel to make lesbianism once again seem daring and revolutionary.

Indecent purports to be part of the brave tradition of those who have stood up for their rights against social and political repression, but it actually demonstrates that those battles have been decisively won—else why would it have had to go to such lengths to dig up and distort the suppression of lesbianism in the past? This is theater by and for those who don’t yet know how to accept responsibilities for freedoms attained and who pretend instead that they are still part of the struggle to attain them.

Read more at Commentary

More about: Arts & Culture, Homosexuality, Sholem Asch, Yiddish, Yiddish theater

The Deal with Hamas Involves Painful, but Perhaps Necessary Concessions

Jan. 17 2025

Even if the agreement with Hamas to secure the release of some, and possibly all, of the remaining hostages—and the bodies of those no longer alive—is a prudent decision for Israel, it comes at a very high price: potentially leaving Hamas in control of Gaza and the release of vast numbers of Palestinian prisoners, many with blood on their hands. Nadav Shragai reminds us of the history of such agreements:

We cannot forget that the terrorists released in the Jibril deal during the summer of 1985 became the backbone of the first intifada, resulting in the murder of 165 Israelis. Approximately half of the terrorists released following the Oslo Accords joined Palestinian terror groups, with many participating in the second intifada that claimed 1,178 Israeli lives. Those freed in [exchange for Gilad Shalit in 2011] constructed Gaza, the world’s largest terror city, and brought about the October 7 massacre. We must ask ourselves: where will those released in the 2025 hostage deal lead us?

Taking these painful concessions into account Michael Oren argues that they might nonetheless be necessary:

From day one—October 7, 2023—Israel’s twin goals in Gaza were fundamentally irreconcilable. Israel could not, as its leaders pledged, simultaneously destroy Hamas and secure all of the hostages’ release. The terrorists who regarded the hostages as the key to their survival would hardly give them up for less than an Israeli commitment to end—and therefore lose—the war. Israelis, for their part, were torn between those who felt that they could not send their children to the army so long as hostages remained in captivity and those who held that, if Hamas wins, Israel will not have an army at all.

While 33 hostages will be released in the first stage, dozens—alive and dead—will remain in Gaza, prolonging their families’ suffering. The relatives of those killed by the Palestinian terrorists now going free will also be shattered. So, too, will the Israelis who still see soldiers dying in Gaza almost daily while Hamas rocket fire continues. What were all of Israel’s sacrifices for, they will ask. . . .

Perhaps this outcome was unavoidable from the beginning. Perhaps the deal is the only way of reconciling Israel’s mutually exclusive goals of annihilating Hamas and repatriating the hostages. Perhaps, despite Israel’s subsequent military triumph, this is the price for the failures of October 7.

Read more at Free Press

More about: Gaza War 2023, Hamas, Israeli Security