David Gelernter on the Hebraic Spirit in Medieval Christian Art

In a conversation with David Gelernter, the groundbreaking computer scientist, artist, and polymath, David Mikics learns what’s Jewish about Gothic cathedrals:

Gelernter and I agreed that Jewishness is in political peril these days, at least in Europe. Jeremy Corbyn is a “bigot,” he told me, “the most revolting kind of human being.” According to Gelernter, “anti-Semitism comes naturally to Europeans,” but thankfully not to Americans. That wasn’t always the case: the great medieval cathedrals were infused with Hebraic inspiration; Jewishness was, he said, the “hand inside the puppet” of Christian Europe.

“My parents took me to Sainte-Chapelle when I was five years old, and it knocked my socks off,” Gelernter told me. “I’ve never had a day since when I haven’t thought about medieval art.” The art of the cathedrals, Gelernter argued, is Hebraic, with a vast empty space at the center that resembles the emptiness in the Temple’s Holy of Holies, the most fitting image of a transcendent God. And there’s the medieval idea of gallantry, which combines military bravery with piety in a way reminiscent of the Hebrew Bible. Judah Maccabee, Gelernter reminded me, was a central example of chivalry for the Middle Ages.

Gelernter loves the Basilica of Saint-Denis, “where Gothic art was invented in 1144.” “One late afternoon the gisants [tomb effigies] were eloquent, articulate; that’s how I decided to do the Jewish paintings I modeled after them.” He said, “I didn’t set out to be a Jewish painter like Marc Chagall, but one like Amedeo Modigliani or Chaim Soutine.” But, he added, Jewish themes are a bad idea for a painter, commercially speaking. “The Israeli art market is aggressively secular; there’s more interest in my paintings in Germany.”

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More about: Anti-Semitism, Architecture, Art, Arts & Culture, Christianity, Judaism, Middle Ages

The Palestinian Authority Deliberately Provoked Sunday’s Jerusalem Riots

Aug. 16 2019

On Sunday, Tisha b’Av—the traditional day of mourning for the destruction of the two Jerusalem Temples—coincided with the Muslim festival of Eid al-Adha. While the Israeli government had initially banned Jews from the Temple Mount on that day, it later reversed its decision and allowed a few dozen to visit. Muslim worshippers greeted them by throwing chairs and stones, and police had to quell the riot by force. Just yesterday, an Israeli policeman was stabbed nearby. Maurice Hirsch and Itamar Marcus place the blame for Sunday’s violence squarely on the shoulders of the Palestinian Authority:

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More about: Palestinian Authority, Temple Mount, Tisha b'Av