The Ruined House: A Different Kind of Jewish Novel

Nov. 17 2017

In the The Ruined House—recently published in English translation—the Israeli-American Hebrew author Ruby Namdar tells the story of a worldly, assimilated Jewish professor of comparative culture who experiences a mid-life crisis—and immediately begins to channel an ancient high priest from the Jerusalem temple, experiencing, among other things, sudden aversions to various kinds of ritual impurity. Adam Kirsch writes in his review:

The Ruined House, like those classic books by Saul Bellow and Philip Roth, is an extended tour of the world through the mind of a richly imagined protagonist. We follow Andrew to parties and doctor’s offices, on drives through Westchester and walks through Morningside Heights. The chief pleasure of the book lies in Namdar’s evocation of Andrew’s thoughts and feelings and observations, in a style that ranges from the colloquial to the poetic. More than most novels, The Ruined House lives in the quality of its prose, which renders the achievement of the translator, Hillel Halkin, all the more impressive.

Andrew Cohen is an unlikely choice for a portal between the Jewish past and the Jewish present, since he has no interest in God or Jewishness. Early in the book, a refrain comes to his mind: “Who by fire, who by water: wasn’t that a Leonard Cohen song?” Leonard Cohen got it from the Yom Kippur liturgy, of course, but Andrew Cohen only knows it from Leonard Cohen—a succinct diagnosis of the state of contemporary American Jewry. Andrew actually does attend Yom Kippur services, but he can’t say exactly why he does: “It was neither a rational decision nor the outcome of lengthy debate, but an unthinking, almost absent-minded choice.” In any case, he slips out early to go to the opera. . . .

Namdar . . . helps the reader along by inserting, at intervals throughout the novel, the story of an ancient high priest performing the atonement rituals in the Temple on Yom Kippur, [which are alluded in the main part of the book]. These pages are arranged like pages of Talmud, with a narrative at the center flanked by the biblical and talmudic passages from which Namdar takes his details. This high priest, the reader comes to understand, may be Andrew Cohen’s distant ancestor. They inhabit utterly different worlds, yet the two men are somehow connected. This is exactly the kind of primal connection to Jewishness that so many American Jews feel the lack of; yet when Andrew experiences it, it is terrifying and suffocating. . . .

Jewishness, The Ruined House intimates, is a matter of waking up to this historical connection, with all its splendor and horror. The originality and power of this idea, along with Namdar’s fertile power of observation and evocation, make The Ruined House a new kind of Jewish novel, which everyone interested in Jewish literature should read.

Read more at Tablet

More about: American Judaism, Arts & Culture, Hebrew literature, High priest

Why Hamas Released Edan Alexander

In a sense, the most successful negotiation with Hamas was the recent agreement securing the release of Edan Alexander, the last living hostage with a U.S. passport. Unlike those previously handed over, he wasn’t exchanged for Palestinian prisoners, and there was no cease-fire. Dan Diker explains what Hamas got out of the deal:

Alexander’s unconditional release [was] designed to legitimize Hamas further as a viable negotiator and to keep Hamas in power, particularly at a moment when Israel is expanding its military campaign to conquer Gaza and eliminate Hamas as a military, political, and civil power. Israel has no other option than defeating Hamas. Hamas’s “humanitarian” move encourages American pressure on Israel to end its counterterrorism war in service of advancing additional U.S. efforts to release hostages over time, legitimizing Hamas while it rearms, resupplies, and reestablishes it military power and control.

In fact, Hamas-affiliated media have claimed credit for successful negotiations with the U.S., branding the release of Edan Alexander as the “Edan deal,” portraying Hamas as a rising international player, sidelining Israel from direct talks with DC, and declaring this a “new phase in the conflict.”

Fortunately, however, Washington has not coerced Jerusalem into ceasing the war since Alexander’s return. Nor, Diker observes, did the deal drive a wedge between the two allies, despite much speculation about the possibility.

Read more at Jerusalem Post

More about: Gaza War 2023, Hamas, U.S.-Israel relationship