Born in a remote Russian shtetl in the vicinity of Minsk, the artist Chaim Soutine (1894-1943) spent much of his career in France, where he rubbed elbows with other Jewish artists like Marc Chagall and Amedeo Modigliani. A series of 32 still-lifes he painted of animal carcasses is currently on display at the Jewish Museum in New York. Praising the exhibit, Andrew Shea cautions against making too much of the influence of history and biography on Soutine’s art:

Last Friday, yet another mysterious explosion rocked a military site in the Islamic Republic, in what seems to be a coordinated attempt to sabotage Iranian nuclear ambitions—although there remains a possibility that these incidents could be accidental, and related only by coincidence. For their part, the ayatollahs have blamed Israel, and not unreasonably. Eli Lake comments on what this all means for the future of American attempts to limit the Iranian nuclear program: