A Play about the Lehman Brothers Dips into Anti-Jewish Anti-Capitalism

April 18 2019

Written by the Italian Jewish playwright Stefano Massini and first staged in Milan in 2015, The Lehman Trilogy tells the story of the family that founded Lehman Brothers, from their arrival in American in the 1840s through their descendants’ Wall Street success to the firm’s collapse during the 2008 financial crisis. The play, translated into English and abridged from its original five hours, is now making a brief appearance on Broadway. Judith Miller writes in her review:

Despite the [high-quality] acting, a creative set, elegant staging, and inspired direction, The Lehman Trilogy often feels more like a lecture than a play. Another challenge is the focus on a Jewish immigrant family as the embodiment of the American dream. The play chronicles the reshaping, and the eventual abandonment, of the family’s Judaism and ritual observance over time. As each generation of Lehmans becomes colder, greedier, and more cynical, their attachment to traditional Jewish ritual and values fades. The family mourns the passing of Henry, [the first of the original brothers to arrive in the U.S.], by closing the firm and sitting shiva for a week; a few generations later, Lehman Brothers pauses for just a few seconds when closing the firm. . . . But [the] playwright Massini seems conflicted at times about whether the family’s loss of faith helped trigger its financial demise, or whether its integration in American life triggered that inevitable loss of faith.

[Moreover], the play also contains subtle but pervasive intimations of the classic anti-Semitic tropes it ostensibly laments, with invocations of Jewishness—and Jewish power, and Jewish money—used to cover gaps in the author’s dramatic imagination and historical reach. . . .

If there is a debate, or even discomfort within the family, about the morality of propping up slave owners, or profiting from civil war, there is little indication of it, while the actors utter more “barukh Hashems” than New York has skyscrapers. The audience is never permitted to forget that the enterprise and ambition that built modern capitalism—and three generations and 160 years later, the rapacious, self-destructive greed it [supposedly] inspired—are not just part of the American experience, but part of a particularly American Jewish impulse or imperative.

At the play’s end, the three original Lehmans reappear in their first Alabama store to say kaddish as the financial chaos sparked by their bankrupt firm in New York spreads throughout the world. Since the family is less than devout by then, the dramatic resort to kaddish feels like a particularly gratuitous reach for a significance at once overgeneralized and at the same time a bit creepy.

Read more at Tablet

More about: Anti-Semitism, Capitalism, Finance, Theater

The U.S. Should Demand Accountability from Egypt

Sept. 19 2024

Before exploding electronics in Lebanon seized the attention of the Israeli public, debate there had focused on the Philadelphi Corridor—the strip of land between Gaza and Egypt—and whether the IDF can afford to withdraw from it. Egypt has opposed Israeli control of the corridor, which is crucial to Hamas’s supply lines, and Egyptian objections likely prevented Israel from seizing it earlier in the war. Yet, argues Mariam Wahba, Egypt in the long run only stands to lose by letting Hamas use the corridor, and has proved incapable of effectively sealing it off:

Ultimately, this moment presents an opportunity for the United States to hold Egypt’s feet to the fire.

To press Cairo, the United States should consider conditioning future aid on Cairo’s willingness to cooperate. This should include a demand for greater transparency and independent oversight to verify Egyptian claims about the tunnels. Congress ought to hold hearings to understand better Egypt’s role and its compliance as a U.S. ally. Despite Secretary of State Antony Blinken’s nine trips to the Middle East since the start of the war, there has been little clarity on how Egypt intends to fulfill its role as a mediator.

By refusing to acknowledge Israel’s legitimate security concerns, Egypt is undermining its own interests, prolonging the war in Gaza, and further destabilizing its relationship with Jerusalem. It is time for Egyptian leaders either to admit their inability to secure the border and seek help from Israel and America, or to risk being perceived as enablers of Hamas and its terrorist campaign.

Read more at National Review

More about: Egypt, Gaza War 2023, U.S. Foreign policy