The Jews behind the Comic Books

Currently Avengers: Endgame is set to make more money at box offices worldwide than any other movie; it is only the most recent of the wildly successfully series of movies—22 so far—based on Marvel comic books. As John Podhoretz notes, the business decision that resulted in these films was made by three Jews. But the Jewish involvement in comic books goes back much farther:

Like so much of 20th-century pop culture, the comics business was the creation and handiwork of first-generation and immigrant Jewish businessmen, writers, and artists whose outside-inside position in America gave them a peculiar and useful vantage point. . . . The Jews who made the comics told contemporary folktales about powerful people often forced by circumstance to pretend to be relatively powerless even as they contested with external evils that wished above all else to destroy them and the society around them—the very society that these stiff-necked people sitting in the culture’s cheap seats felt hard-done by.

The creators of Superman, Jerry Siegel and Joe Shuster, were kids from Cleveland who sold their intellectual property for $130 to a company called DC run by two immigrants named Jack Liebowitz and Harry Donenfeld. DC’s chief rival was a company that would eventually be called Marvel; it was the property of one Martin (né Moe) Goodman, who brought his nephew Stanley Lieber on board to help out. Lieber eventually changed his name to Stan Lee and became the public face of the business—and, in his own prose contributions to the comic books he wrote and edited, introduced the self-mocking jokey tone of the Borscht Belt to boys across America and helped form their understanding of what humor was.

Just as Izzy Baline wrote “White Christmas” after changing his name to Irving Berlin, and foreign-born Hollywood chieftains like Szmul Gelbfisz (later Sam Goldwyn) and Carl Laemmle helped create the ideal of America for Americans, the all-but-unknown and mostly Jewish writers and editors of comics gave metaphorical power to American adolescent anxieties about strength and weakness and public exposure.

Read more at Commentary

More about: American Jewish History, Film, Popular culture

Universities Are in Thrall to a Constituency That Sees Israel as an Affront to Its Identity

Commenting on the hearings of the House Committee on Education and the Workforce on Tuesday about anti-Semitism on college campuses, and the dismaying testimony of three university presidents, Jonah Goldberg writes:

If some retrograde poltroon called for lynching black people or, heck, if they simply used the wrong adjective to describe black people, the all-seeing panopticon would spot it and deploy whatever resources were required to deal with the problem. If the spark of intolerance flickered even for a moment and offended the transgendered, the Muslim, the neurodivergent, or whomever, the fire-suppression systems would rain down the retardant foams of justice and enlightenment. But calls for liquidating the Jews? Those reside outside the sensory spectrum of the system.

It’s ironic that the term colorblind is “problematic” for these institutions such that the monitoring systems will spot any hint of it, in or out of the classroom (or admissions!). But actual intolerance for Jews is lathered with a kind of stealth paint that renders the same systems Jew-blind.

I can understand the predicament. The receptors on the Islamophobia sensors have been set to 11 for so long, a constituency has built up around it. This constituency—which is multi-ethnic, non-denominational, and well entrenched among students, administrators, and faculty alike—sees Israel and the non-Israeli Jews who tolerate its existence as an affront to their worldview and Muslim “identity.” . . . Blaming the Jews for all manner of evils, including the shortcomings of the people who scapegoat Jews, is protected because, at minimum, it’s a “personal truth,” and for some just the plain truth. But taking offense at such things is evidence of a mulish inability to understand the “context.”

Shocking as all that is, Goldberg goes on to argue, the anti-Semitism is merely a “symptom” of the insidious ideology that has taken over much of the universities as well as an important segment of the hard left. And Jews make the easiest targets.

Read more at Dispatch

More about: Anti-Semitism, Israel on campus, University