How the Non-Jewish Director of the First-Ever Holocaust Movie Resisted Communist Pressure to Write Jews Out of the Story

Sept. 17 2019

On Sunday, the 1947 Polish film The Last Stage was shown at a Tel Aviv theater. Its director, Wanda Jakubowska—a Gentile Polish Communist—was imprisoned in Auschwitz in 1943; after the war, she became one of her country’s foremost filmmakers. Using former prisoners and townspeople from the nearby hamlet of Oswiecim as her cast, she filmed the movie at the camp itself. Later Holocaust films would splice in its footage and even imitate some of its shots. Ofer Aderet writes (free registration required):

The film centers around a Jewish heroine, Marta Weiss, who is deported to the camp with her family. [Upon arrival], she translates the commander’s instructions for the other prisoners and is chosen to serve as an official interpreter. Later she exploits her position to help her fellow inmates smuggle supplies and information, and eventually escapes with a friend, Tadek, in order to tell the world about the plan to “liquidate” the camp. But the two are caught and sentenced to execution. . . . Marta Weiss is based on . . . Mala (Malka) Zimetbaum, a Polish Jew who moved to Belgium with her family as a child and was deported to Auschwitz in 1942.

Reexamination of the film all these years later clearly reveals its historical weaknesses; after all, it’s a Communist propaganda film. Praise for the Soviet Union, Stalin, and the Red Army is woven in. They are depicted as the prisoners’ only saviors—without any mention, of course, of Stalin’s cooperation with Hitler at the start of the war. . . . In the film, all resistance to the Nazis is led by Communist women.

Nor is there anything about how Jewish prisoners were harshly discriminated against by prisoners of other nationalities; this wouldn’t serve the message. . . . Also, in the film one hears Polish, Russian, German, and French, but no Yiddish. This is no coincidence. Produced under the auspices of the Soviet Union, the film deliberately avoids any mention of the uniqueness of the Holocaust and instead emphasizes the universality of the war’s victims. In this, the film betrays the truth. Most of the 1.1 million victims at Auschwitz were Jews.

But unlike other works produced under the Communist regime, the Jews aren’t completely absent from this one, thanks to Jakubowska’s stubborn insistence. Describing it years later, she said she was pressured to alter the plot and remove any mention of Jews.

Read more at Haaretz

More about: Auschwitz, Film, Holocaust, Poland, Soviet Union

Syria Feels the Repercussions of Israel’s Victories

On the same day the cease-fire went into effect along the Israel-Lebanon border, rebel forces launched an unexpected offensive, and within a few days captured much of Aleppo. This lightening advance originated in the northwestern part of the country, which has been relatively quiet over the past four years, since Bashar al-Assad effectively gave up on restoring control over the remaining rebel enclaves in the area. The fighting comes at an inopportune moment for the powers that Damascus has called on for help in the past: Russia is bogged down in Ukraine and Hizballah has been shattered.

But the situation is extremely complex. David Wurmser points to the dangers that lie ahead:

The desolation wrought on Hizballah by Israel, and the humiliation inflicted on Iran, has not only left the Iranian axis exposed to Israeli power and further withering. It has altered the strategic tectonics of the Middle East. The story is not just Iran anymore. The region is showing the first signs of tremendous geopolitical change. And the plates are beginning to move.

The removal of the religious-totalitarian tyranny of the Iranian regime remains the greatest strategic imperative in the region for the United States and its allies, foremost among whom stands Israel. . . . However, as Iran’s regime descends into the graveyard of history, it is important not to neglect the emergence of other, new threats. navigating the new reality taking shape.

The retreat of the Syrian Assad regime from Aleppo in the face of Turkish-backed, partly Islamist rebels made from remnants of Islamic State is an early skirmish in this new strategic reality. Aleppo is falling to the Hayat Tahrir al-Sham, or HTS—a descendant of Nusra Front led by Abu Mohammed al-Julani, himself a graduate of al-Qaeda’s system and cobbled together of IS elements. Behind this force is the power of nearby Turkey.

Read more at The Editors

More about: Hizballah, Iran, Israeli Security, Syrian civil war, Turkey