The Forgotten Lower East Side Poet Whose Work Was Popularized and Plagiarized by Hart Crane

Sept. 17 2019

Born in Vienna in 1893 to Yiddish-speaking parents who immigrated to Manhattan’s Lower East Side when he was a child, the American Jewish poet Samuel Greenberg died of tuberculosis at the age of twenty-three. Greenberg’s poems were first published in 1939, in a posthumous volume reissued this year. But before that Greenberg’s work had already garnered some fame thanks to the Ohio-born American poet Hart Crane, who discovered his manuscripts and liberally plagiarized from them. Neil Arditi tells the story:

Six years after Greenberg’s death, Crane was shown Greenberg’s handwritten poems by a neighbor in Woodstock, [New York], William Fisher, a former curator for the Metropolitan Museum of Art where Greenberg sometimes went to sketch. Fisher had taken an interest in the young poet, giving him books of Emerson, Shelley, Keats, and Browning, and, after his death, taking possession of some of his notebooks for safekeeping and possible publication.

Crane spent several nights excitedly reciting Greenberg’s poems with Fisher and typing up copies of his favorites for personal use. In a letter written at the time, he described Greenberg’s poems as “hobbling but really gorgeous attempts . . . made without any education. . . . No grammar, nor spelling, and scarcely any form, but a quality that is unspeakably eerie and the most convincing gusto.” Greenberg was a “Rimbaud in embryo.” Cutting and pasting from a handful of Greenberg originals, Crane assembled a polished mosaic—“Emblems of Conduct”—and published it under his own name in his first book of poems, White Buildings (1926).

Crane’s first biographer, Philip Horton . . . concluded that Greenberg was a “visionary,” a “Gottbetrunkener Mensch,” no doubt alluding to the German philosopher Novalis’s characterization of Spinoza. As a descriptive term, “God-intoxicated” has limited explanatory power, but Horton was correct to suggest that Greenberg is in some sense a religious poet. It might be less misleading to say that poetry is his religion.

Read more at Jewish Review of Books

More about: American Jewish literature, Lower East Side, Poetry, Vienna

The Next Diplomatic Steps for Israel, the Palestinians, and the Arab States

July 11 2025

Considering the current state of Israel-Arab relations, Ghaith al-Omari writes

First and foremost, no ceasefire will be possible without the release of Israeli hostages and commitments to disarm Hamas and remove it from power. The final say on these matters rests with Hamas commanders on the ground in Gaza, who have been largely impervious to foreign pressure so far. At minimum, however, the United States should insist that Qatari and Egyptian mediators push Hamas’s external leadership to accept these conditions publicly, which could increase pressure on the group’s Gaza leadership.

Washington should also demand a clear, public position from key Arab states regarding disarmament. The Palestinian Authority President Mahmoud Abbas endorsed this position in a June letter to Saudi Arabia and France, giving Arab states Palestinian cover for endorsing it themselves.

Some Arab states have already indicated a willingness to play a significant role, but they will have little incentive to commit resources and personnel to Gaza unless Israel (1) provides guarantees that it will not occupy the Strip indefinitely, and (2) removes its veto on a PA role in Gaza’s future, even if only symbolic at first. Arab officials are also seeking assurances that any role they play in Gaza will be in the context of a wider effort to reach a two-state solution.

On the other hand, Washington must remain mindful that current conditions between Israel and the Palestinians are not remotely conducive to . . . implementing a two-state solution.

Read more at Washington Institute for Near East Policy

More about: Gaza War 2023, Israel diplomacy, Israeli-Palestinian Conflict