Why “Jojo Rabbit” Fails to Make Nazism Funny

Nov. 26 2019

Describing the recently released film Jojo Rabbit as “a slapstick farce about a Hitler-worshiping ten-year-old surrounded by idiotic Nazis in the waning days of World War II,” Ross Douthat explains why it falls flat:

It wants to have its jokes at Nazidom’s expense, to portray Hitler as a mincing idiot and his ideology as something only a ten-year-old could possibly believe, but ultimately ends up with a pious message about the power of hatred and the power of intimacy to overcome it. “An anti-hate satire” runs the tagline on the movie’s posters, but the satire inevitably gets weaker as the anti-hate message gets stronger, until what began as a truly gonzo exercise finishes up resembling a competent Miramax drama from twenty years ago—The Girl in the Wall.

This result illustrates a plausible rule for any filmmaker intent on mocking Nazis: the closer you get to the Holocaust, the more your efforts at satire will be swallowed up. There’s a reason that [the 1960s TV situation comedy] Hogan’s Heroes was set in a POW camp, not in Buchenwald. There’s a reason that the funniest Nazi send-ups are so often sketches, bits, and memes, [such as] the play-within-a-movie of The Producers. Satire dies under Arbeit macht frei as surely as comedy falters at the gates of hell; the devil can be satirized in pieces but the reality of damnation is a different matter.

In the end Jojo Rabbit finds the sour spot. Its portrait of a boy’s redemption is far too glib to help us understand damnation, but it gets too close to the provinces of hell to justify its strong dose of froth and camp and silliness. The seriousness ultimately unravels the comedy, and then the unseriousness of that seriousness means the movie unravels itself.

Read more at National Review

More about: Comedy, Film, Holocaust

In an Effort at Reform, Mahmoud Abbas Names an Ex-Terrorist His Deputy President

April 28 2025

When he called upon Hamas to end the war and release the hostages last week, the Palestinian Authority president Mahmoud Abbas was also getting ready for a reshuffle within his regime. On Saturday, he appointed Hussein al-Sheikh deputy president of the Palestine Liberation Organization (PLO), which is intimately tied to the PA itself. Al-Sheikh would therefore succeed Abbas—who is eighty-nine and reportedly in ill health—as head of the PLO if he should die or become incapacitated, and be positioned to succeed him as head of the PA as well.

Al-Sheikh spent eleven years in an Israeli prison and, writes Maurice Hirsch, was involved in planning a 2002 Jerusalem suicide bombing that killed three. Moreover, Hirsch writes, he “does not enjoy broad Palestinian popularity or support.”

Still, by appointing Al-Sheikh, Abbas has taken a step in the internal reforms he inaugurated last year in the hope that he could prove to the Biden administration and other relevant players that the PA was up to the task of governing the Gaza Strip. Neomi Neumann writes:

Abbas’s motivation for reform also appears rooted in the need to meet the expectations of Arab and European donors without compromising his authority. On April 14, the EU foreign-policy chief Kaja Kallas approved a three-year aid package worth 1.6 billion euros, including 620 million euros in direct budget support tied to reforms. Meanwhile, the French president Emmanuel Macron held a call with Abbas [earlier this month] and noted afterward that reforms are essential for the PA to be seen as a viable governing authority for Gaza—a telling remark given reports that Paris may soon recognize “the state of Palestine.”

In some cases, reforms appear targeted at specific regional partners. The idea of appointing a vice-president originated with Saudi Arabia.

In the near term, Abbas’s main goal appears to be preserving Arab and European support ahead of a major international conference in New York this June.

Read more at Washington Institute for Near East Policy

More about: Mahmoud Abbas, Palestinian Authority, PLO