When the Yiddish Theater Tackled American Racism

July 28 2020

In 1931, nine African American teenagers were arrested and brought to trial in Scottsboro, Alabama for allegedly raping two white women—and then sentenced to death. The charges, it soon became clear, were demonstrably false, and the case eventually found its way to the Supreme Court. Meanwhile, the fate of the Scottsboro Boys—as they became known—received international attention, and eventually became the subject of the 1935 Yiddish play Mississippi, written by the playwright Leyb Malakh (1894-1936) at the encouragement of the director and critic Mikhl Vaykhert (1890-1967), who staged it at his Warsaw theater. Alyssa Quint writes:

When I first came across archival artifacts from productions of Mississippi . . . I assumed that [it] was a translation. I had come across ephemera of so many translations from this era: a review of the Vilna Troupe’s 1924 version of Eugene O’Neill’s expressionist play All God’s Chillun Got Wings, for example. . . . Directors saw translation as a way to introduce worldliness and sophistication to the Yiddish theater, and to engage with current social and political issues.

The script is also embedded with an array of original Yiddish songs by the celebrated composer Henekh Kon (1890-1970) who composed songs in the African American musical tradition including jazz, gospel, and African American spirituals. One makes reference to the enslavement of African people, and another refers to the part former slaves took in the Union army fighting in the Civil War.

Despite Vaykhert’s concerns that Polish Jewish theatergoers wouldn’t be interested in a play on so foreign a subject, Mississippi was a smash hit, enjoying a long run of over 200 performance.

Mississippi’ssuccess in the late 1930s worked off the energy of the Blacks’ and Jews’ common history of oppression. More remarkable, however, is the play as it reveals how much its Jewish participants, creators, and audience mustered sympathy for this mostly unknown African American subject matter, for how and where they lived, the particulars of their persecution, and for their cultural forms and traditions. Ironically, these are the least palatable aspects of the play, at least according to our standards [of political correctness] today.

Read more at Tablet

More about: Polish Jewry, Political correctness, Racism, Yiddish theater

Israel’s Qatar Dilemma, and How It Can Be Solved

March 26 2025

Small in area and population and rich in natural gas, Qatar plays an outsize role in the Middle East. While its support keeps Hamas in business, it also has vital relations with Israel that are much better than those enjoyed by many other Arab countries. Doha’s relationship with Washington, though more complex, isn’t so different. Yoel Guzansky offers a comprehensive examination of Israel’s Qatar dilemma:

At first glance, Qatar’s foreign policy seems filled with contradictions. Since 1995, it has pursued a strategy of diplomatic hedging—building relationships with multiple, often competing, actors. Qatar’s vast wealth and close ties with the United States have enabled it to maneuver independently on the international stage, maintaining relations with rival factions, including those that are direct adversaries.

Qatar plays an active role in international diplomacy, engaging in conflict mediation in over twenty regions worldwide. While not all of its mediation efforts have been successful, they have helped boost its international prestige, which it considers vital for its survival among larger and more powerful neighbors. Qatar has participated in mediation efforts in Venezuela, Lebanon, Iran, Afghanistan, and other conflict zones, reinforcing its image as a neutral broker.

Israel’s stated objective of removing Hamas from power in Gaza is fundamentally at odds with Qatar’s interest in keeping Hamas as the governing force. In theory, if the Israeli hostages would to be released, Israel could break free from its dependence on Qatari mediation. However, it is likely that even after such a development, Qatar will continue positioning itself as a mediator—particularly in enforcing agreements and shaping Gaza’s reconstruction efforts.

Qatar’s position is strengthened further by its good relations with the U.S. Yet, Guzansky notes, it has weaknesses as well that Israel could exploit:

Qatar is highly sensitive to its global image and prides itself on maintaining a neutral diplomatic posture. If Israel chooses to undermine Qatar’s reputation, it could target specific aspects of Qatari activity that are problematic from an Israeli perspective.

Read more at Institute for National Security Studies

More about: Hamas, Israel diplomacy, Qatar, U.S. Foreign policy