Pop Culture Embraces Tradition, While Tradition Embraces Pop Culture—but Only One Succeeds

Sept. 15 2020

In American Pickle­—the latest vehicle for the actor Seth Rogen—a Brooklyn Jewish slacker encounters his shtetl-born great-grandfather Herschel through a plot twist reminiscent of Rip van Winkle or Woody Allen’s Sleeper. The younger character eventually comes to appreciate the wisdom and power of Herschel’s traditional religiosity. “In theory,” writes Liel Leibovitz, such a plot “should delight anyone hankering for a movie that takes faith seriously.” In practice, however, it falls flat:

American Pickle feels about as convincing as Rogen’s comically exaggerated [East European] accent. A movie that takes faith seriously, for example, might have at least acknowledged that a few blocks away in hipster Williamsburg dwell Satmar Ḥasidim, men and women who worship and dress in ways that haven’t changed much since Herschel’s days and who might have made for suitable companions. But tradition, to Rogen, is necessarily a thing of the past. Even as he seeks to critique contemporary society, the only force he can conjure is nostalgia.

That there are religious Jews among us living according to the very same values as Herschel, and that they are thriving while liberal Judaism is decaying, doesn’t even occur to Rogen. Perhaps it’s because his movie, for all of its aspirations, was always meant to be a lighthearted comedy and nothing more. Or perhaps it’s because the realities of religious life require lived-in complexities and sacrifices, not only maudlin movie moments.

Leibovitz contrasts the film to the debut single of an ultra-Orthodox rapper who goes by the stage name Young Rechnitz, and may very well be from one of those Williamsburg ḥasidic communities:

Unlike American Pickle, Rechnitz’s single, titled “Yeshivishe Mozart,” delivers a torrent of one-liners that are as thought-provoking as they are hilarious. . . . With a pun a second (“Rebbe on vacation/ I’m going out reckless,” he quips, a rekl being the long black coat some ḥasidic Jews wear on weekdays, which means that going out rekl-less is, in fact, a rather reckless thing to do), Young Rechnitz achieves in three minutes what Rogen couldn’t in 90, mounting a fun-filled anthem to the joys and mysteries of religious life that also happens to be an excellent rap song.

At ease in his skin, cheered on by his community, and propelled forth by his faith, Young Rechnitz felt comfortable enough to reach out to pop culture at large . . . and stitch together a song that reminds us that the secular and the religious, the profound and the profane—all are parts of God’s magical creation. Rogen, meanwhile, reached into tradition for laughs and came up emptyhanded, delivering neither a particularly convincing defense of faith nor a very funny film.

Read more at First Things

More about: Hasidism, Hollywood, Jewish music, Judaism, Popular culture

In an Effort at Reform, Mahmoud Abbas Names an Ex-Terrorist His Deputy President

April 28 2025

When he called upon Hamas to end the war and release the hostages last week, the Palestinian Authority president Mahmoud Abbas was also getting ready for a reshuffle within his regime. On Saturday, he appointed Hussein al-Sheikh deputy president of the Palestine Liberation Organization (PLO), which is intimately tied to the PA itself. Al-Sheikh would therefore succeed Abbas—who is eighty-nine and reportedly in ill health—as head of the PLO if he should die or become incapacitated, and be positioned to succeed him as head of the PA as well.

Al-Sheikh spent eleven years in an Israeli prison and, writes Maurice Hirsch, was involved in planning a 2002 Jerusalem suicide bombing that killed three. Moreover, Hirsch writes, he “does not enjoy broad Palestinian popularity or support.”

Still, by appointing Al-Sheikh, Abbas has taken a step in the internal reforms he inaugurated last year in the hope that he could prove to the Biden administration and other relevant players that the PA was up to the task of governing the Gaza Strip. Neomi Neumann writes:

Abbas’s motivation for reform also appears rooted in the need to meet the expectations of Arab and European donors without compromising his authority. On April 14, the EU foreign-policy chief Kaja Kallas approved a three-year aid package worth 1.6 billion euros, including 620 million euros in direct budget support tied to reforms. Meanwhile, the French president Emmanuel Macron held a call with Abbas [earlier this month] and noted afterward that reforms are essential for the PA to be seen as a viable governing authority for Gaza—a telling remark given reports that Paris may soon recognize “the state of Palestine.”

In some cases, reforms appear targeted at specific regional partners. The idea of appointing a vice-president originated with Saudi Arabia.

In the near term, Abbas’s main goal appears to be preserving Arab and European support ahead of a major international conference in New York this June.

Read more at Washington Institute for Near East Policy

More about: Mahmoud Abbas, Palestinian Authority, PLO