Revisiting Amos Oz’s “Baggy Monster” of a Memoir

At the time of his death two years ago, Amos Oz was almost certainly Israel’s most significant literary figure. But as his fellow novelist Ruby Namdar observes, Israelis have had an ambivalent relationship with Oz, holding him up as “a symbol—almost a fetish—of who we Israelis thought we were or fancied ourselves to be.” But at some point, Israelis soured on him:

[I]t wasn’t just Oz’s eloquence and charisma that alienated readers (and, even more so, the critics) after a certain point in his career. It was also his tendency to speak in the first person plural, even as he masterfully and sensitively depicted the marginal characters; the ease with which he assumed the prophetic mantle and spoke in the name of the collective ethos; and, finally, a certain air of entitlement, perhaps even smugness, that started to tick off many readers who had previously been drawn to his work.

Yet, Namdar writes, the Jewish state’s reading public fell in love with Oz all over again with the publication, in 2002, of his novelistic memoir A Tale of Love and Darkness. In contrast to the “outstanding tightness” of Oz’s other works, the 600-page book is, in Namdar’s mind, a “baggy monster,” at times “careless” or “sloppy,” with its “plot . . . spread thinly over too many pages.” Yet Namdar admits that it is at times “enchanting.”

[But] is it . . . the imperfections of A Tale of Love and Darkness that make it strangely accessible? Early on, Oz was admired for his sovereign mastery, the chilly perfection of his work, but this same quality eventually distanced readers and critics from him. Perhaps it was the vulnerability of this warm, rambling memoir that enabled readers to reconnect to Oz. Was our wizard easier to love when he stepped out from behind the curtain of perfection and revealed himself to be a frail old man who, no longer in possession of linguistic magic or prophetic confidence, dared to show himself as he truly was, as we all will be, alone and obsessed with his sweet and terrible memories?

Read more at Jewish Review of Books

More about: Amos Oz, Israeli literature, Israeli society

How America Sowed the Seeds of the Current Middle East Crisis in 2015

Analyzing the recent direct Iranian attack on Israel, and Israel’s security situation more generally, Michael Oren looks to the 2015 agreement to restrain Iran’s nuclear program. That, and President Biden’s efforts to resurrect the deal after Donald Trump left it, are in his view the source of the current crisis:

Of the original motivations for the deal—blocking Iran’s path to the bomb and transforming Iran into a peaceful nation—neither remained. All Biden was left with was the ability to kick the can down the road and to uphold Barack Obama’s singular foreign-policy achievement.

In order to achieve that result, the administration has repeatedly refused to punish Iran for its malign actions:

Historians will survey this inexplicable record and wonder how the United States not only allowed Iran repeatedly to assault its citizens, soldiers, and allies but consistently rewarded it for doing so. They may well conclude that in a desperate effort to avoid getting dragged into a regional Middle Eastern war, the U.S. might well have precipitated one.

While America’s friends in the Middle East, especially Israel, have every reason to feel grateful for the vital assistance they received in intercepting Iran’s missile and drone onslaught, they might also ask what the U.S. can now do differently to deter Iran from further aggression. . . . Tehran will see this weekend’s direct attack on Israel as a victory—their own—for their ability to continue threatening Israel and destabilizing the Middle East with impunity.

Israel, of course, must respond differently. Our target cannot simply be the Iranian proxies that surround our country and that have waged war on us since October 7, but, as the Saudis call it, “the head of the snake.”

Read more at Free Press

More about: Barack Obama, Gaza War 2023, Iran, Iran nuclear deal, U.S. Foreign policy