Richard Wagner’s Jewish Problem—and Everybody Else’s

March 4 2021

Alex Ross’s recent book Wagnerism: Art and Politics in the Shadow of Music is not so much a study of the great composer himself, but of the various ways he has influenced, and been understood by, his interpreters, admirers, and critics—a group that includes Friedrich Nietzsche, Thomas Mann, and Adolf Hitler. In his review, Nathan Shields writes:

At the turn of the century, [Wagner] was idolized by both the decadent Italian novelist (and future proto-fascist politician) Gabriele D’Annunzio and the Zionist leader Theodor Herzl. Three decades later, his music introduced the Nuremberg Rallies.

It is this last Wagner that we know best, or think we do. He has gone down in popular history as a raging anti-Semite (true) and Hitler’s favorite composer (not entirely true); his music is thought to have provided the soundtrack for the death camps (in fact, it was mostly light waltzes and operetta). Wagner’s role in the iconography of German imperialism was real enough. When Paul von Hindenburg, [the German generalissimo who lost World War I and later made Hitler chancellor of Germany], claimed Germany was stabbed in the back by the treaty of Versailles, he was invoking Siegfried’s assassination by the villainous half-breed Hagen [in Wagner’s Ring cycle]. And when Hitler died, Siegfried’s funeral march was played to commemorate him.

But Wagner was less popular in Nazi Germany than this might suggest, and his appeal was more complex. For one thing, Hitler’s Wagnermania was not shared by rank-and-file Nazis, who scalped the opera tickets he gave them. Besides, Siegfried’s funeral march had first been played to mark Lenin’s death. In 1933, at the dawn of the Third Reich, Thomas Mann could still find in Wagner the spirit of a very different Germany than Hitler’s. Wagner’s real meaning, Mann insisted, was “entirely revolutionary.” He would “assuredly be branded a Kultur-Bolshevist today.”

Since the Second World War, there has been endless discussion about whether Wagner’s highly public art, alongside his equally public statements of bigotry, influenced or prefigured the rise of 20th-century fascism. There are several traditional positions, best understood as points along a continuum. [One] could be called the Wagner-to-Hitler-pipeline theory, which casts Wagner as an ideological prophet of Nazism. . . . For [others], Wagner’s music floats majestically free of his ideology. “Richard Wagner, I hate you,” as Leonard Bernstein famously put it. “But I hate you on my knees.”

Read more at Baffler

More about: Anti-Semitism, Music, Nazism, Richard Wagner, Theodor Herzl

 

Donald Trump’s Plan for Gaza Is No Worse Than Anyone Else’s—and Could Be Better

Reacting to the White House’s proposal for Gaza, John Podhoretz asks the question on everyone’s mind:

Is this all a fantasy? Maybe. But are any of the other ludicrous and cockamamie ideas being floated for the future of the area any less fantastical?

A Palestinian state in the wake of October 7—and in the wake of the scenes of Gazans mobbing the Jewish hostages with bloodlust in their eyes as they were being led to the vehicles to take them back into the bosom of their people? Biden foreign-policy domos Jake Sullivan and Tony Blinken were still talking about this in the wake of their defeat in ludicrous lunchtime discussions with the Financial Times, thus reminding the world of what it means when fundamentally silly, unserious, and embarrassingly incompetent people are given the levers of power for a while. For they should know what I know and what I suspect you know too: there will be no Palestinian state if these residents of Gaza are the people who will form the political nucleus of such a state.

Some form of UN management/leadership in the wake of the hostilities? Well, that might sound good to people who have been paying no attention to the fact that United Nations officials have been, at the very best, complicit in hostage-taking and torture in facilities run by UNRWA, the agency responsible for administering Gaza.

And blubber not to me about the displacement of Gazans from their home. We’ve been told not that Gaza is their home but that it is a prison. Trump is offering Gazans a way out of prison; do they really want to stay in prison? Or does this mean it never really was a prison in the first place?

Read more at Commentary

More about: Donald Trump, Gaza Strip, Israeli-Palestinian Conflict