Anti-Semitic Artwork Raises Eyebrows, but Not Hard Questions, in Germany

In May, one of Germany’s most prestigious art shows featured a giant mural created by an Indonesian artistic collective called Taring Padi. According to Taring Padi, “figures depicted in the banner reference commonly-known symbols within the Indonesian political context, for example corrupt bureaucracy, military generals [sic] and their soldiers, which are symbolized by pigs, dogs, and rats to criticize an exploitative capitalist system and military violence.” Jurek Molnar explains the ensuing controversy, which led to parts of the mural being covered up, before it was removed completely:

What is not mentioned [in the official description] is that some of the soldiers are depicted as pigs and one of them has a line on his helmet that reads “Mossad.” He is also wearing a Star of David on a scarf. Another figure is a somehow-identifiable Jewish man with vampire teeth and an “SS” logo on his bowler hat. The banner itself was made twenty years ago and shown around the world at several festivals of the same kind and nobody ever seemed to have taken offence. At least that’s the perspective of Taring Padi. They were never challenged at all, because “anti-Zionism” is a standard idea among progressives all around the world and outside Europe they never triggered any sensitivities.

Their perspective is what most progressives think about the issue. Anti-imperialism and anti-militarism come by default with a Palestinian flag. And nobody ever questioned that Taring Padi’s noble activism against Suharto’s dictatorship and its critique of militarism naturally has to involve Jews painted as pigs and vampires. If these are really “commonly-known symbols within the Indonesian political context,” then these must be quite regular images in [the artists’] work and of course in their own bubble of global political leftwing milieux.

The condemnations in the German press were shared by all mainstream media organizations; even demands for banning Taring Padi from the festival were widespread. That’s not nothing. But . . . Taring Padi’s excuse that the banner only reflects local political issues was accepted without further questions and they will continue to propagate their noble cause against imperialism and militarism. . . . . Nobody, it seems, wasted any thought how anti-Semitism and Jews with SS signs on their hats do play into the political protests in Indonesia.

Read more at Harry’s Place

More about: Anti-Semitism, Art, Germany, Indonesia, Progressivism


Iran’s Four-Decade Strategy to Envelope Israel in Terror

Yesterday, the head of the Shin Bet—Israel’s internal security service—was in Washington meeting with officials from the State Department, CIA, and the White House itself. Among the topics no doubt discussed are rising tensions with Iran and the possibility that the latter, in order to defend its nuclear program, will instruct its network of proxies in Gaza, the West Bank, Lebanon, Syria, and even Iraq and Yemen to attack the Jewish state. Oved Lobel explores the history of this network, which, he argues, predates Iran’s Islamic Revolution—when Shiite radicals in Lebanon coordinated with Ayatollah Ruhollah Khomeini’s movement in Iran:

An inextricably linked Iran-Syria-Palestinian axis has actually been in existence since the early 1970s, with Lebanon the geographical fulcrum of the relationship and Damascus serving as the primary operational headquarters. Lebanon, from the 1980s until 2005, was under the direct military control of Syria, which itself slowly transformed from an ally to a client of Iran’s Islamic Revolutionary Guard Corps (IRGC) following the collapse of the Soviet Union. The nexus among Damascus, Beirut, and the Palestinian territories should therefore always have been viewed as one front, both geographically and operationally. It’s clear that the multifront-war strategy was already in operation during the first intifada years, from 1987 to 1993.

[An] Iranian-organized conference in 1991, the first of many, . . . established the “Damascus 10”—an alliance of ten Palestinian factions that rejected any peace process with Israel. According to the former Hamas spokesperson and senior official Ibrahim Ghosheh, he spoke to then-Hizballah Secretary-General Abbas al-Musawi at the conference and coordinated Hizballah attacks from Lebanon in support of the intifada. Further important meetings between Hamas and the Iranian regime were held in 1999 and 2000, while the IRGC constantly met with its agents in Damascus to encourage coordinated attacks on Israel.

For some reason, Hizballah’s guerilla war against Israel in Lebanon in the 1980s and 1990s was, and often still is, viewed as a separate phenomenon from the first intifada, when they were in fact two fronts in the same battle.

Israel opted for a perilous unconditional withdrawal from Lebanon in May 2000, which Hamas’s Ghosheh asserts was a “direct factor” in precipitating the start of the second intifada later that same year.

Read more at Australia/Israel Review

More about: First intifada, Hizballah, Iran, Palestinian terror, Second Intifada