For More Than a Century, Cinema Has Portrayed Jewish Soldiers as Cowardly, or Worse

Created during World War II, Britain’s Special Air Service (SAS) is the rough equivalent of the American Delta Force or Navy Seals. A recent BBC miniseries, SAS: Rogue Heroes, offers a fictionalized version of its creation and operations in Africa in 1941. Benjamin Vos notes that the show follows a long line of war movies that depict Jews as unmartial and unmanly:

SAS Rogue Heroes features one Jewish character, the fictional French soldier Halévy. Unlike the rangy, fit SAS men, he is small and portly, can’t mount a truck without help, is bullied, and almost flunks a test of bravery. While his comrades seem inherently warlike, Halévy fights specifically to avenge his deported family. His graduation to bravery necessitates his own death, as he immolates the traitor Brückner, himself, and others in an explosion.

Halévy first appears when, among a group of soldiers standing to attention, he sneezes and is laughed at. Halévy’s humiliation, unsoldierly reticence, moral preoccupation, and self-sacrifice continue a grisly dramatic tradition of fictional Jewish soldiers being bumbling, cowardly, or otherwise unfit to fight. The lucky ones die quickly.

This comic-relief role for Jewish soldiers has been a constant for well over a century. In Cohen Saves the Flag (1912), two Jews at Gettysburg put romantic rivalry above the interests of the Union Army. The running joke about lascivious and cowardly Private Lipinsky in What Price Glory? (1926) is the size of his nose.

Vos traces these tropes in films over the decades, and also notes some even more insidious stereotypes—which persist into the 21st century—of Jews as treacherous or lecherous. In other movies, their deaths provide salvation for their Gentile comrades:

Stalag 17 (1953) is a tense tale of betrayal among angry, violent POWs, within which Harry Shapiro is unreliable, vulgar, and indebted—and lusts after female Russian prisoners. . . . Corporal Gabby Gordon in Objective, Burma! (1945) is a standard-issue daft Jewish soldier. In the film, a Lt. Jacobs is tortured by the Japanese but passes on a vital message before dying. Jews [tend to] die to impart benefit to other characters or even moral instruction to viewers. In The Deep Six (1958), Frenchy Shapiro dies after rescuing his Quaker friend from Japanese soldiers. More significantly, Anzio (1968) features licentious Corporal Rabinoff who dies while drawing German fire from his non-Jewish comrades. Rabinoff’s death inspires a moral epiphany in a cynical war journalist.

Read more at Jewish Chronicle

More about: Anti-Semitism, Film, Jews in the military

Egypt Is Trapped by the Gaza Dilemma It Helped to Create

Feb. 14 2025

Recent satellite imagery has shown a buildup of Egyptian tanks near the Israeli border, in violation of Egypt-Israel agreements going back to the 1970s. It’s possible Cairo wants to prevent Palestinians from entering the Sinai from Gaza, or perhaps it wants to send a message to the U.S. that it will take all measures necessary to keep that from happening. But there is also a chance, however small, that it could be preparing for something more dangerous. David Wurmser examines President Abdel Fatah el-Sisi’s predicament:

Egypt’s abysmal behavior in allowing its common border with Gaza to be used for the dangerous smuggling of weapons, money, and materiel to Hamas built the problem that exploded on October 7. Hamas could arm only to the level that Egypt enabled it. Once exposed, rather than help Israel fix the problem it enabled, Egypt manufactured tensions with Israel to divert attention from its own culpability.

Now that the Trump administration is threatening to remove the population of Gaza, President Sisi is reaping the consequences of a problem he and his predecessors helped to sow. That, writes Wurmser, leaves him with a dilemma:

On one hand, Egypt fears for its regime’s survival if it accepts Trump’s plan. It would position Cairo as a participant in a second disaster, or nakba. It knows from its own history; King Farouk was overthrown in 1952 in part for his failure to prevent the first nakba in 1948. Any leader who fails to stop a second nakba, let alone participates in it, risks losing legitimacy and being seen as weak. The perception of buckling on the Palestine issue also resulted in the Egyptian president Anwar Sadat’s assassination in 1981. President Sisi risks being seen by his own population as too weak to stand up to Israel or the United States, as not upholding his manliness.

In a worst-case scenario, Wurmser argues, Sisi might decide that he’d rather fight a disastrous war with Israel and blow up his relationship with Washington than display that kind of weakness.

Read more at The Editors

More about: Egypt, Gaza War 2023