How Art Museums Distort Jewish Culture, and Downplay Anti-Semitism

Feb. 13 2023

In recent years, art museums have grown increasing concerned with a variety of questions that might be characterized as “woke.” Are the works of artists of different races and ethnicities displayed in galleries? Are black as well as white subjects represented in paintings? Museums have taken such steps in response as making sure to mention the role of the Netherlands in the trans-Atlantic slave trade in an exhibit on 17th-century Dutch paintings. Yet, observes Menachem Wecker, none of these sensitivities seem to apply to Jews. Thus works by Philip Guston are censored or guarded by trigger warnings, while no mention is made of the fact that Guston was Jewish, or that he might have been responding to anti-Semitism with his work.

Wecker produces numerous examples of museums downplaying anti-Semitic portrayals of Jews in artworks, while often failing to identify such artists as Chaim Soutine as Jews—even when Jewish themes figure prominently in their art. Nor do Catholics fare much better, with anti-Catholic pieces like the now-notorious 1987 Piss Christ receiving ample contextualization intended to downplay controversy, whereas “when there’s no controversy, museums insert controversy.” (Video, 59 minutes.)

Read more at Catholic Theological Union

More about: Anti-Semitism, Art history, Catholicism, Jewish art, Museums

Fake International Law Prolongs Gaza’s Suffering

As this newsletter noted last week, Gaza is not suffering from famine, and the efforts to suggest that it is—which have been going on since at least the beginning of last year—are based on deliberate manipulation of the data. Nor, as Shany Mor explains, does international law require Israel to feed its enemies:

Article 23 of the Fourth Geneva Convention does oblige High Contracting Parties to allow for the free passage of medical and religious supplies along with “essential foodstuff, clothing, and tonics intended for children under fifteen” for the civilians of another High Contracting Party, as long as there is no serious reason for fearing that “the consignments may be diverted from their destination,” or “that a definite advantage may accrue to the military efforts or economy of the enemy” by the provision.

The Hamas regime in Gaza is, of course, not a High Contracting Party, and, more importantly, Israel has reason to fear both that aid provisions are diverted by Hamas and that a direct advantage is accrued to it by such diversions. Not only does Hamas take provisions for its own forces, but its authorities sell provisions donated by foreign bodies and use the money to finance its war. It’s notable that the first reports of Hamas’s financial difficulties emerged only in the past few weeks, once provisions were blocked.

Yet, since the war began, even European states considered friendly to Israel have repeatedly demanded that Israel “allow unhindered passage of humanitarian aid” and refrain from seizing territory or imposing “demographic change”—which means, in practice, that Gazan civilians can’t seek refuge abroad. These principles don’t merely constitute a separate system of international law that applies only to Israel, but prolong the suffering of the people they are ostensibly meant to protect:

By insisting that Hamas can’t lose any territory in the war it launched, the international community has invented a norm that never before existed and removed one of the few levers Israel has to pressure it to end the war and release the hostages.

These commitments have . . . made the plight of the hostages much worse and much longer. They made the war much longer than necessary and much deadlier for both sides. And they locked a large civilian population in a war zone where the de-facto governing authority was not only indifferent to civilian losses on its own side, but actually had much to gain by it.

Read more at Jewish Chronicle

More about: Gaza War 2023, International Law