If a recent attempt to rework a Shakespeare play for the modern stage fell short, it’s hard to imagine Hollywood succeeding at turning the life of a deeply religious author of challenging fiction into a movie. But Christopher Scalia believes that a new film about the great southern author Flannery O’Connor does just that. The director and co-writer, Ethan Hawke, manages to depict O’Connor’s life while weaving in scenes from her stories and novels:
O’Connor created some of the greatest short stories written in English, in addition to two novels and countless letters that reveal the depth of her faith, the superiority of her craft, and the bite of her wit.
Hawke’s film, Wildcat, is marvelous, and he proves himself a worthy steward of O’Connor’s work and legacy. This film will thrill her readers and attract new ones.
One of the film’s strengths is that it consistently presents O’Connor’s faith on her own terms, including moments of doubt and struggle, in part by incorporating passages from her letters and the prayer journal she kept. . . . “Please help me get down under things and find where You are,” we hear her pray.
O’Connor’s gritty fiction bristles with off-putting characters and sudden, often violent depictions of the workings of divine grace. As she put it, “My own feeling is that writers who see by the light of their Christian faith will have, in these times, the sharpest eyes for the grotesque, for the perverse, and for the unacceptable.” Wildcat’s mini-adaptations capture what she elsewhere called “distortion . . . that reveals,” the downright strangeness of the stories.
Read more at Washington Free Beacon
More about: Film, Literature, Religion