“One of the greatest mass delusions of the 21st century,” writes James Kirchick, “is the belief that Israel is committing a genocide against Palestinians.” In the publishing business this delusion has translated into hostility toward Jews, as Kirchick explains:
Over the past several months, a litmus test has emerged across wide swaths of the literary world effectively excluding Jews from full participation unless they denounce Israel. This phenomenon has been unfolding in progressive spaces (academia, politics, cultural organizations) for quite some time. That it has now hit the rarefied, highbrow realm of publishing—where Jewish Americans have made enormous contributions and the vitality of which depends on intellectual pluralism and free expression—is particularly alarming.
Nine days after the October 7 attack, the popular website Literary Hub began publishing what has since become a near-daily torrent of agitprop invective against what it describes as the “rogue ethnostate” of Israel, which it routinely accuses of committing genocide. In March, after a mass resignation of its staff members, the literary magazine Guernica retracted a personal essay by a left-wing Israeli woman about her experience volunteering to drive Palestinian children to Israel for medical treatment. In her resignation letter, one of the magazine’s co-publishers denounced the piece as “a hand-wringing apologia for Zionism and the ongoing genocide in Palestine.”
A campaign of intimidation, the sort of thing that happens to the dissident writers in closed societies whom PEN, [a writers’ organization founded to protect freedom of speech], regularly champions, is afoot to pressure writers into toeing this new party line. PEN’s current president, Jenny Finney Boylan, recently said that she had heard from “many, many authors who do not agree with those withdrawing from PEN events and who do not wish to withdraw from our events themselves but are afraid of the consequences if they speak up.”
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