Marco Bellocchio’s Kidnapped! The Abduction of Edgardo Mortara and Roman Polanski’s An Officer and a Spy are both recent films that deal with historic instances of anti-Semitic prejudice that, in their own day, captured the attention of the European press. The subject of the first is the kidnapping of a six-year-old Jewish boy by the papal authorities, who insisted that he be raised a Catholic. The second tells the story of the French Jewish army officer Alfred Dreyfus’s imprisonment on trumped-up charges of espionage.
Reviewing both films, Michael Sragow writes:
Bellocchio delivers his epic yet incisive version with heart-stopping immediacy and clarity. He generally follows the factual narrative but inventively heightens and condenses the action to depict the effects of religious extremism and brainwashing. . . . Bellocchio’s prodigious talent takes us inside his characters while the action plays out on a grand scale. He and his superb cast bridge the contradictory narratives that filled Jewish and Catholic journals in 1859, characterizing Edgardo either as a bereft boychik or a spiritual savant instantly embodying Christian grace.
Polanski, by contrast, focuses on one character: Georges Picquart (played by Jean Dujardin), the intelligence officer who discovered that Dreyfus had been framed:
In Dujardin’s virile, hyper-alert performance, Picquart is a casual anti-Semite overtaken by his sense of justice and decency. When he meets with Louis Garrel’s intense, disciplined Dreyfus after the Jew’s exoneration, there is no hint of sentimentality or false uplift. Unexpectedly at odds over Dreyfus’s request for a promotion, they do each other the honor of speaking honestly and directly.
More about: Alfred Dreyfus, Anti-Semitism, Edgardo Mortara, Film