To conclude today’s newsletter with something a bit less weighty, I direct you to a highly positive review of Barbra Streisand’s recent memoir by Samantha Pickette:
Streisand is at her most real when she is talking about the project that marked her directorial debut. She read Isaac Bashevis Singer’s short story “Yentl the Yeshiva Boy” just before the premiere of Funny Girl in 1968. It took her fifteen years to make it into a movie, and the three meaty chapters that tell her story are at the core of the memoir. Yentl was her most personal (and overtly Jewish) project, and she clearly regards it as her masterpiece.
The story of Yentl is, in many ways, the story of Streisand fighting against her detractors—studio executives who dismissed the script, cast, and subject matter as “too Jewish,” critics who questioned whether Streisand actually directed the film without help, loved ones who tried to convince her to move on from the project, and even Singer himself, who denounced Streisand’s feminist reinterpretation of the original source material. Ultimately, she not only asserted creative control but took ownership of her Jewishness, her femininity, and the power that came from celebrating both.
Streisand was not the only distinctively Jewish Jew who broke through in the 1960s, but she was the most spectacularly successful.
Read more at Jewish Review of Books
More about: American Jewish History, Hollywood, Isaac Bashevis Singer