I have to confess that I’m not someone who pays a lot of attention to the Olympics, but, while catching up on other Middle East news, I happened upon a story about Yuval Freilich, the first male Israeli fencer to qualify for the games in the épée. A winner of the European championship, Freilich ended up losing to a lower-ranked opponent. (Those seeking to take pride in Jewish athletic prowess can look instead to the two Jewish fencers on the four-member, gold-medal-winning U.S. women’s fencing team.) But this put me in mind of the 1999 movie Sunshine, about a fictional Hungarian Jewish family named Sors. Its central character, played by Ralph Fiennes, is a fencing champion. The eminent historian Istvan Deak wrote in a fascinating review:
In the film, the new anti-Semitic currents do not prevent Ignatz Sors’s son, Adam, from earning high honors for Hungary. He takes up saber fencing, converts to Roman Catholicism so he can join the team of the elite officers’ club, and goes on to become an Olympic and world champion. All this rings true. Toward the end of the 19th century both aristocratic and well-to-do Jews became obsessed with sports and were keen sponsors of athletic competitions. The first Hungarian Olympic champions—and there were quite a few of them—were mostly Jews who particularly excelled in saber fencing, that most Hungarian of martial arts. Hungarians had always taken pride in being descended from saber-wielding mounted warriors, and for a Jew to become a saber champion was to fulfill a fantasy of acceptance.
Read more at New York Review of Books
More about: Film, Hungarian Jewry, olympics, Sports