While Israeli society remains divided over critical issues like the conduct of the war, Benjamin Netanyahu’s leadership, and haredi military service, there are occasional culture touchstones that seem to bridge these divides—even the all-important divergence between the religious and the secular. One example is the remarkable popularity of Yosef Elitzur’s overtly religious song Tamid Ohev Oti (“He always loves me”). Gila Isaacson tries to explain this runaway success:
The song’s appeal lies somewhere between paradox and prophecy. Its lyrics could have been lifted straight from a siddur (prayer book)—speaking of divine providence, prayer, and spiritual renewal. The kind of content that typically stays within the boundaries of religious radio stations and yeshiva hallways. . . . This song reminds me that in times of national crisis, the markers we use to separate ourselves can become the very threads that bind us together. Whether wearing a kippah or a black hat or no head covering at all, sometimes we all need to believe that everything will be “better and better and better.”
More about: Israeli music, Israeli society, Jewish music