In the past few days, some Jews have praised the recent Academy Award-winner Adrien Brody for mentioning anti-Semitism in his acceptance speech, while others pointed out that that Brody couldn’t utter the word without immediately following it up with mention of racism and “othering.” Some Israelis were pleased that No Other Land, the joint effort of Israeli and Palestinian filmmakers, won an Oscar for best documentary; other Israelis were disgusted because it is an anti-Israel film.
Most interesting was the dispute among those who hate Israel: between those who were horrified that the film’s Israeli codirector, Yuval Abraham, mentioned the plight of the hostages in his acceptance speech, and those who thought the anti-Israel movement should look generously on Israelis who labor to portray their country as evil. Some in the first camp weren’t happy that Palestinian filmmakers collaborated with the “Zionist” Abraham in the first place. Some in the second camp seemed shocked to discover that the pro-Palestinian movement isn’t about liberation or human rights, but hatred and bigotry,
More about the documentary in a moment. But I’d like to say something about the complaint I found least appealing: that Jewish honorees didn’t use their platform to condemn anti-Semitism or plea for the release of the hostages. Who cares? Would Hamas reconsider its negotiating position after a bold declaration from Meryl Streep? Why encourage celebrities to indulge their penchant for grandstanding, or accept them as moral authorities, especially when they rarely show much political wisdom? Unless they are willing to display the sort of courage demonstrated by the Jerry Seinfeld, I’m not interested.
In any case, Peter Himmelman knows more about show business than I do, and has some thoughts on both the ceremony and No Other Land:
No Other Land gives you the tragedy from one point of view. It shows you soldiers with guns, but not the attacks that made them come. It shows you children crying, but not the Israeli children who have been massacred. It doesn’t tell you why Israel must take these actions—just that they happen. And that’s the trick, isn’t it? You take something rooted in decades of war and rejectionism and terrorism, and you strip it down to one story, one image, so that by the time the credits roll, you don’t see history—you see a villain. And in No Other Land, that villain is always Israel.
I watched as actors and artists paraded down the red carpet, pinning little red hand symbols onto their designer suits, patting themselves on the back for their moral clarity. . . . That symbol isn’t just some vague call for peace. It references the blood-soaked hands raised in triumph by a Palestinian lynch mob in 2000, after they tore two Israeli reservists to pieces in Ramallah.
To Himmelman, the posturing of the red-pin wearers is just a way of saying, “See, we are not the oppressor class. We’re the good guys. Please, love us!” As for everyone else:
The jubilant roar of the Oscar crowd after No Other Land won best documentary wasn’t just applause—it was a statement. A tacit or overt declaration that Israel is the villain. That Hamas—the group that throws gay men off rooftops, that burns families alive, that rapes women and kidnaps babies—is somehow the underdog. That 1,200 Jewish lives don’t matter as much as maintaining their carefully curated image.
Read more at Peter Himmelman’s Morning Musings
More about: Anti-Semitism, Hollywood, Israeli-Palestinian Conflict