It was not until the 1650s that Jews were readmitted to England, and only in 1723 were they given the right to own real property—other rights would have to come later. But, Matt Austerklein notes, a group of musicians were allowed to settle in the country during the reign of Henry VIII, which lasted from 1509 to 1547.
King Henry VIII first made contact with the Jews of Venice seeking rabbinic advice to bolster his case for divorce. . . . So when looking for the best musicians for his court, Henry turned again to Venice, recruiting the Bassano family of wind players. The Bassanos served in the Doge’s own civic wind ensemble, and their unsurpassed musical reputation was reported to Henry as “excellent and esteemed above all others.”
There was just one snag—Jews had been outlawed in England since 1290. But this did not deter the king, who brought these crypto-Jewish musicians into the very heart of the Tudor court. Through their playing, and likely through suppressing their Judaism, the Bassanos became fixtures of English Renaissance music, even acquiring a coat of arms.
The tragedy of the Bassanos, however, is the same as that of all Jews in Western music: more often than not, the norms of Western culture and the music industry drove them away from their Judaism, not towards it. Over the generations, the Bassanos were gradually baptized into English society, and their contributions to English Renaissance music came at the price of their identities.
More about: Anglo-Jewry, Classical music