Alumni of American Reform Hebrew schools and Conservative summer camps are apt to have heard the blessing over bread, known informally as ha-motsi, chanted to the same tune, sometimes as part of somewhat longer English-language song. Matt Austerklein tells the story of its composition and of its now-forgotten author, Samuel Adler, who recently released an autobiography:
A former faculty member at the University of North Texas (1956–1966), the Eastman School of Music (1966–1995) and Juilliard (1997–2017), his catalog includes over 500 classical and liturgical works, and his textbook on orchestration has been translated into ten languages and sold over one million copies worldwide.
Like all timeless tunes, this one was born of a pressing need—in this case, the need to provide music to the burgeoning Hebrew school of Temple Emanu-El in Dallas, Texas. In 1953, Adler was recruited as music director by the synagogue’s noted clergyman, Rabbi Levi Olan, who had befriended the Adler family while serving in the pulpit with his father, Cantor Hugo Chaim Adler. . . . Just five years after its composition, these original words to ha-motsi were published in the 1960 Union Songster: Songs & Prayers for Jewish Youth, the Reform movement’s first youth-music book for the baby-boom generation.
It is not possible to bear witness concisely to the drama and depth of Samuel Adler’s life and his contribution to both Jewish music and the Western classical tradition, spanning over 70 years of musical creativity. A Holocaust survivor who narrowly escaped Nazi Germany during Kristallnacht, Adler acknowledges being the grateful recipient of many miracles. Reading his autobiography, one encounters a person who is self-reflective, diligent, and a collector of wisdom.
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