A One-Volume Introduction to Jewish Civilization, Exhibiting Both Breadth and Depth https://mosaicmagazine.com/picks/history-ideas/2016/09/a-one-volume-introduction-to-jewish-civilization-exhibiting-both-breadth-and-depth/

September 29, 2016 | Allan Arkush
About the author: Allan Arkush is the senior contributing editor of the Jewish Review of Books and professor of Judaic studies and history at Binghamton University.

In The People and the Book: 18 Classics of Jewish Literature, Adam Kirsch presents a kind of introductory course on Jewish thought, ranging from Pirkei Avot to Moses Maimonides to Benedict Spinoza to Theodor Herzl. Allan Arkush, who writes that the book “constitutes a deeply serious meditation on the meaning of Jewish existence,” takes up its author’s unusual analysis of Jerusalem, a defense of Judaism written by the 18th-century German Jewish philosopher Moses Mendelssohn:

Mendelssohn had to explain how he could denounce religious coercion while at the same time maintaining his adherence to a religion that, in Kirsch’s words, “was based on the idea of compulsion through law.”

Unlike a very large number of Mendelssohn scholars, Kirsch sees that the bulk of Jerusalem leaves this problem unaddressed and that it is only at the end of the book that Mendelssohn answers . . . by explaining that the demise of the Jewish polity has transformed Jewish law, as Kirsch puts it, “from a communal rule for all Jews into a voluntary commitment of each Jew.” Kirsch then raises doubts about this contention, not in terms of its philosophical or theological adequacy, but with regard to its practical ramifications:

Once the decision to obey Jewish law is left up to every individual, it is inevitable that some—maybe most—Jews will decide that the burden is too great, that there is no way and no need to go on living under two sets of laws. And, in fact, that is just what happened with Mendelssohn’s own family. All of his grandchildren were baptized Christians, including the composer Felix Mendelssohn-Bartholdy, who created masterpieces of church music.

Kirsch is not recalling this family history in order to disparage Mendelssohn’s ideology, as have so many other writers over the past two centuries. He is not even calling into question Mendelssohn’s affirmation of voluntarism. He is just pointing out that there are trade-offs, even for good things like liberty.

Read more on Jewish Review of Books: https://jewishreviewofbooks.com/articles/2270/from-moses-to-moses-to-sholem-aleichem/