While the melody is nearly ubiquitous among American Jews, it is by no means ancient, as Albert Stern explains:

Samuel E. Goldfarb penned “I Have a Little Dreidel” (with Samuel S. Grossman) [in the 1920s], while his older brother, Israel Goldfarb, composed [a widely used melody for the Sabbath hymn] “Shalom Aleichem.”. . .

The Goldfarb brothers grew up on the Lower East Side of New York in a family of eleven children that emigrated from Galicia. Samuel was born in 1891, and learned how to read and play music from his brother Israel, who was twelve years his senior. In 1914, Samuel—who was making music in Yiddish theaters and other popular venues—entered into an arranged marriage with Bella Horowitz, from the family that owned Horowitz-Margareten, renowned makers of matzah and Passover products. . . .

While Samuel started out playing piano in theaters, Israel—a graduate of the Institute of Musical Art (now the Juilliard School), the Jewish Theological Seminary, and Columbia University—rose to fame as a noted cantor, and later became the long-serving rabbi at the venerable Kane Street Synagogue in Brooklyn. . . .

“Generally speaking, in America Yiddish music influenced the popular music of Broadway and Hollywood,” said [Samuel Goldfarb’s son, Myron Gordon]. “With these kinds of songs, it was the opposite—it was an American tone being brought into a Jewish context.”

Yesterday, the beepers used by hundreds of Hizballah operatives were detonated. Noah Rothman puts this ingenious attack in the context of the overall war between Israel and the Iran-backed terrorist group:

[W]hile the disabling of an untold number of Hizballah operatives is remarkable, it’s also ominous. This week, the Israeli defense minister Yoav Gallant told reporters that the hour is nearing when Israeli forces will have to confront Iran’s cat’s-paw in southern Lebanon directly, in order to return the tens of thousands of Israelis who fled their homes along Lebanon’s border under fire and have not yet been able to return. Today’s operation may be a prelude to the next phase of Israel’s defensive war, a dangerous one in which the IDF will face off against an enemy with tens of thousands of fighters and over 150,000 rockets and missiles trained on Israeli cities.

Seth Frantzman, meanwhile, focuses on the specific damage the pager bombings have likely done to Hizballah:

This will put the men in hospital for a period of time. Some of them can go back to serving Hizballah, but they will not have access to one of their hands. These will most likely be their dominant hand, meaning the hand they’d also use to hold the trigger of a rifle or push the button to launch a missile.

Hizballah has already lost around 450 fighters in its eleven-month confrontation with Israel. This is a significant loss for the group. While Hizballah can replace losses, it doesn’t have an endlessly deep [supply of recruits]. This is not only because it has to invest in training and security ahead of recruitment, but also because it draws its recruits from a narrow spectrum of Lebanese society.

The overall challenge for Hizballah is not just replacing wounded and dead fighters. The group will be challenged to . . . roll out some other way to communicate with its men. The use of pagers may seem archaic, but Hizballah apparently chose to use this system because it assumed the network could not be penetrated. . . . It will also now be concerned about the penetration of its operational security. When groups like Hizballah are in chaos, they are more vulnerable to making mistakes.