Claude Lanzmann’s “Shoah” Memorialized Its Subject in a Way Nothing Else Could

July 13 2018

On July 5, Claude Lanzmann—whose epic documentary Shoah brought the story of Hitler’s war against the Jews to thousands, if not millions, of viewers—died at the age of ninety-two. Walter Reich reflects on Lanzmann’s contributions, and on years of showing the film to students in a course on the Holocaust:

[S]ome sources of Holocaust memory that we study can muddy it, especially commercial films. For a Holocaust-related commercial film to be successful, it usually has to leave the viewer feeling at least some sense of relief, such as the rescue of a thousand Jews by Oskar Schindler, some of whom are shown at the end of the film, with their children, paying homage to his memory at his stone in a Christian cemetery in Jerusalem. Films that are brutally honest fail commercially—such as The Grey Zone, probably the finest Holocaust film ever made. Some films utterly distort Holocaust memory for millions. The worst offender was Life Is Beautiful, which won an Oscar, was seen by many millions around the world, and was a sentimentally saccharine lie. After watching this feel-good creation, some viewers imagined that in the Holocaust Jews routinely joked around and children survived in barracks thinking they were playing games. . . .

But the testimonies preserved in Lanzmann’s Shoah, and the film as a whole, are a source of Holocaust memory in a class by itself. My students experience the wrenching words of survivors uttered in the very places where they were among the few who weren’t murdered. They watch local citizens who knew of the killing operations even as they looked the other way and even as they saw Jews through anti-Semitic lenses. And they watch killers being interviewed. In Shoah, the survivors are far younger than the ones who have been filmed in recent years, far closer to the event itself. . . .

Toward the end of my Holocaust-memory course, the students study the ways in which that memory has been denied by anti-Semites; hijacked by government officials, including our own, to further political ends; distorted by nationalists in Eastern Europe who want to cleanse their own countries of the stains left by the participation of their own citizens in murdering Jews; and inverted by enemies of Israel by claiming that the Jewish state is doing to others what others once did to Jews. All this even as survivors of the Holocaust die and their living voices of conscience are stilled.

Except as preserved in great works. And the greatest of them all is Claude Lanzmann’s Shoah.

Read more at Tablet

More about: Claude Lanzmann, Film, History & Ideas, Holocaust

The U.S. Has Finally Turned Up the Heat on the Houthis—but Will It Be Enough?

March 17 2025

Last Tuesday, the Houthis—the faction now ruling much of Yemen—said that they intend to renew attacks on international shipping through the Red and Arabian Seas. They had for the most part paused their attacks following the January 19 Israel-Hamas cease-fire, but their presence has continued to scare away maritime traffic near the Yemeni coast, with terrible consequences for the global economy.

The U.S. responded on Saturday by initiating strikes on Houthi missile depots, command-and-control centers, and propaganda outlets, and has promised that the attacks will continue for days, if not weeks. The Houthis responded by launching drones, and possibly missiles, at American naval ships, apparently without result. Another missile fired from Yemen struck the Sinai, but was likely aimed at Israel. As Ari Heistein has written in Mosaic, it may take a sustained and concerted effort to stop the Houthis, who have high tolerance for casualties—but this is a start. Ron Ben-Yishai provides some context:

The goal is to punish the Houthis for directly targeting Western naval vessels in the Red Sea while also exerting indirect pressure on Tehran over its nuclear program. . . . While the Biden administration did conduct airstrikes against the Houthis, it refrained from a proactive military campaign, fearing a wider regional war. However, following the collapse of Iran’s axis—including Hizballah’s heavy losses in Lebanon and the fall of the Assad regime in Syria—the Trump administration appears unafraid of such an escalation.

Iran, the thinking goes, will also get the message that the U.S. isn’t afraid to use force, or risk the consequences of retaliation—and will keep this in mind as it considers negotiations over its nuclear program. Tamir Hayman adds:

The Houthis are the last proxy of the Shiite axis that have neither reassessed their actions nor restrained their weapons. Throughout the campaign against the Yemenite terrorist organization, the U.S.-led coalition has made operational mistakes: Houthi regime infrastructure was not targeted; the organization’s leaders were not eliminated; no sustained operational continuity was maintained—only actions to remove immediate threats; no ground operations took place, not even special-forces missions; and Iran has not paid a price for its proxy’s actions.

But if this does not stop the Houthis, it will project weakness—not just toward Hamas but primarily toward Iran—and Trump’s power diplomacy will be seen as hollow. The true test is one of output, not input. The only question that matters is not how many strikes the U.S. carries out, but whether the Red Sea reopens to all vessels. We will wait and see—for now, things look brighter than they did before.

Read more at Institute for National Security Studies

More about: Donald Trump, Houthis, Iran, U.S. Foreign policy, Yemen