Remembering Claude Lanzmann and His On-Screen Portrayal of the Holocaust

July 11 2018

Claude Lanzmann, whose 1985 documentary Shoah deeply affected the way many saw the destruction of European Jewry, died last week at the age of ninety-two. Henry Gonshak revisits his work:

Shoah is almost unique among Holocaust documentaries in that Lanzmann used no documentary footage, usually gleaned from Nazi archives, or any fictionalized scenes. Instead, the movie is composed exclusively of interviews with those who became entangled, for one reason or another, in the Holocaust: survivors, witnesses, and perpetrators. Lanzmann justified this approach by insisting it was the only way to represent the Holocaust authentically.

After Shoah was released, Lanzmann became a constant critic of the slew of Holocaust films that took more license than he had with the historical record. He attacked Steven Spielberg’s 1993 blockbuster Schindler’s List, accusing it of “commodification” of the Holocaust, because Spielberg used professional actors and invented several scenes from whole cloth. Perhaps Lanzmann imposed excessively strict limitations on the boundaries of Holocaust representation. I don’t believe the Holocaust alone must be represented with no degree of artistic latitude—a demand not made of the portrayals of any other genocide. However, without question, Lanzmann’s narrow approach worked brilliantly in Shoah. . . .

Lanzmann’s directorial style eschewed the “fly on the wall” technique employed by many other documentarians, where the director serves purely as witness, taking no active role in the unfolding action. Instead, Lanzmann is a constant presence in his movie, both on and off camera, asking pointed questions that at times verge on badgering his often-fragile subjects. . . .

Not only did Lanzmann interview survivors and witnesses, but he also spoke with perpetrators—another directorial decision that provoked controversy. For example, Lanzmann talked to Franz Suchomel, who had been an SS functionary at Treblinka and after the war was convicted of war crimes and spent six years in a West German prison. . . . Initially reticent, Suchomel became more garrulous as the interview progressed, until by the end he was regaling the director with a camp song composed by the SS. Lanzmann’s interview with Suchomel demonstrates that many perpetrators felt no remorse for their participation in genocide.

Read more at Jewish Review of Books

More about: Claude Lanzmann, Film, History & Ideas, Holocaust

Can a Weakened Iran Survive?

Dec. 13 2024

Between the explosion of thousands of Hizballah pagers on September 17 and now, Iran’s geopolitical clout has shrunk dramatically: Hizballah, Iran’s most important striking force, has retreated to lick its wounds; Iranian influence in Syria has collapsed; Iran’s attempts to attack Israel via Gaza have proved self-defeating; its missile and drone arsenal have proved impotent; and its territorial defenses have proved useless in the face of Israeli airpower. Edward Luttwak considers what might happen next:

The myth of Iranian power was ironically propagated by the United States itself. Right at the start of his first term, in January 2009, Barack Obama was terrified that he would be maneuvered into fighting a war against Iran. . . . Obama started his tenure by apologizing for America’s erstwhile support for the shah. And beyond showing contrition for the past, the then-president also set a new rule, one that lasted all the way to October 2024: Iran may attack anyone, but none may attack Iran.

[Hayat Tahrir al-Sham’s] variegated fighters, in light trucks and jeeps, could have been stopped by a few hundred well-trained soldiers. But neither Hizballah nor Iran’s own Revolutionary Guards could react. Hizballah no longer has any large units capable of crossing the border to fight rebels in Syria, as they had done so many times before. As for the Revolutionary Guards, they were commandeering civilian airliners to fly troops into Damascus airport to support Assad. But then Israel made clear that it would not allow Iran’s troops so close to its border, and Iran no longer had credible counter-threats.

Now Iran’s population is discovering that it has spent decades in poverty to pay for the massive build-up of the Revolutionary Guards and all their militias. And for what? They have elaborate bases and showy headquarters, but their expensive ballistic missiles can only be used against defenseless Arabs, not Israel with its Arrow interceptors. As for Hizballah, clearly it cannot even defend itself, let alone Iran’s remaining allies in the region. Perhaps, in short, the dictatorship will finally be challenged in the streets of Iran’s cities, at scale and in earnest.

Read more at UnHerd

More about: Gaza War 2023, Iran, Israeli strategy, Middle East