Remembering Claude Lanzmann and His On-Screen Portrayal of the Holocaust

Claude Lanzmann, whose 1985 documentary Shoah deeply affected the way many saw the destruction of European Jewry, died last week at the age of ninety-two. Henry Gonshak revisits his work:

Shoah is almost unique among Holocaust documentaries in that Lanzmann used no documentary footage, usually gleaned from Nazi archives, or any fictionalized scenes. Instead, the movie is composed exclusively of interviews with those who became entangled, for one reason or another, in the Holocaust: survivors, witnesses, and perpetrators. Lanzmann justified this approach by insisting it was the only way to represent the Holocaust authentically.

After Shoah was released, Lanzmann became a constant critic of the slew of Holocaust films that took more license than he had with the historical record. He attacked Steven Spielberg’s 1993 blockbuster Schindler’s List, accusing it of “commodification” of the Holocaust, because Spielberg used professional actors and invented several scenes from whole cloth. Perhaps Lanzmann imposed excessively strict limitations on the boundaries of Holocaust representation. I don’t believe the Holocaust alone must be represented with no degree of artistic latitude—a demand not made of the portrayals of any other genocide. However, without question, Lanzmann’s narrow approach worked brilliantly in Shoah. . . .

Lanzmann’s directorial style eschewed the “fly on the wall” technique employed by many other documentarians, where the director serves purely as witness, taking no active role in the unfolding action. Instead, Lanzmann is a constant presence in his movie, both on and off camera, asking pointed questions that at times verge on badgering his often-fragile subjects. . . .

Not only did Lanzmann interview survivors and witnesses, but he also spoke with perpetrators—another directorial decision that provoked controversy. For example, Lanzmann talked to Franz Suchomel, who had been an SS functionary at Treblinka and after the war was convicted of war crimes and spent six years in a West German prison. . . . Initially reticent, Suchomel became more garrulous as the interview progressed, until by the end he was regaling the director with a camp song composed by the SS. Lanzmann’s interview with Suchomel demonstrates that many perpetrators felt no remorse for their participation in genocide.

Read more at Jewish Review of Books

More about: Claude Lanzmann, Film, History & Ideas, Holocaust

Recognizing a Palestinian State Won’t Help Palestinians, or Even Make Palestinian Statehood More Likely

While Shira Efron and Michael Koplow are more sanguine about the possibility of a two-state solution to the Israel-Palestinian conflict, and more critical of Israel’s policies in the West Bank, than I am, I found much worth considering in their recent article on the condition of the Palestinian Authority (PA). Particularly perceptive are their comments on the drive to grant diplomatic recognition to a fictive Palestinian state, a step taken by nine countries in the past few months, and almost as many in total as recognize Israel.

Efron and Koplow argue that this move isn’t a mere empty gesture, but one that would actually make things worse, while providing “no tangible benefits for Palestinians.”

In areas under its direct control—Areas A and B of the West Bank, comprising 40 percent of the territory—the PA struggles severely to provide services, livelihoods, and dignity to inhabitants. This is only partly due to its budgetary woes; it has also never established a properly functioning West Bank economy. President Mahmoud Abbas, who will turn ninety next year, administers the PA almost exclusively by executive decrees, with little transparency or oversight. Security is a particular problem, as militants from different factions now openly defy the underfunded and undermotivated PA security forces in cities such as Jenin, Nablus, and Tulkarm.

Turning the Palestinian Authority (PA) from a transitional authority into a permanent state with the stroke of a pen will not make [its] litany of problems go away. The risk that the state of Palestine would become a failed state is very real given the PA’s dysfunctional, insolvent status and its dearth of public legitimacy. Further declines in its ability to provide social services and maintain law and order could yield a situation in which warlords and gangs become de-facto rulers in some areas of the West Bank.

Otherwise, any steps toward realizing two states will be fanciful, built atop a crumbling foundation—and likely to help turn the West Bank into a third front in the current war.

Read more at Foreign Affairs

More about: Palestinian Authority, Palestinian statehood