Berlin’s Museum of Photography is currently planning an exhibit of items from the estate of the filmmaker Leni Riefenstahl, whose work earned her the admiration of Adolf Hitler and who produced several propaganda movies for the Nazis. To Matt Lebovic, the exhibit is a reminder that Riefenstahl was never held to account for her collaboration with the Third Reich:

Riefenstahl was the first woman to earn international attention as a filmmaker, directing the Nazi-glorifying Triumph of the Will and Day of Freedom: Our Army. Relying on her close relationship with Hitler, Riefenstahl crafted films that mesmerized the German public and audiences abroad. In Olympia, her racially conscious Olympics extravaganza, she pioneered several [cinematic] techniques. . . .

Following Riefenstahl’s post-war rehabilitation—she was never convicted of being a Nazi by the Allies—she made a secret deal with Transit Films and government officials to receive royalties from her Nazi-era projects. Riefenstahl felt no need for “atonement” along the lines of Hitler’s armaments chief, Albert Speer. Well into her golden years, Riefenstahl vigorously sued people who claimed she had been a Nazi.

When Germany invaded Poland in 1939, Riefenstahl arrived on-site as a war correspondent. As the army swept eastward, she witnessed the execution of 30 civilians in the town of Konskie, as well as the murder of Jewish grave diggers. With photographs placing her at the scene of the crime, Riefenstahl later claimed she had attempted to halt the execution, and that she went to Hitler in order to express her indignation. . . . A few weeks after Riefenstahl witnessed the execution, she filmed Hitler’s “victory parade” in Warsaw, in which her patron viewed his forces marching through a bombed-out city. . . .

Beginning in the 1960s, Leni Riefenstahl’s comeback period included a stint photographing the 1972 Munich Olympics as well as interviews in which she distanced herself from Hitler. She always denied having been an anti-Semite or having known about the murder of six million Jews during the Holocaust.

Yesterday, the Iranian foreign minister flew to Geneva to meet with European diplomats. President Trump, meanwhile, indicated that cease-fire negotiations might soon begin with Iran, which would presumably involve Tehran agreeing to make concessions regarding its nuclear program, while Washington pressures Israel to halt its military activities. According to Israeli media, Iran already began putting out feelers to the U.S. earlier this week. Aviram Bellaishe considers the purpose of these overtures:

The regime’s request to return to negotiations stems from the principle of deception and delay that has guided it for decades. Iran wants to extricate itself from a situation of total destruction of its nuclear facilities. It understands that to save the nuclear program, it must stop at a point that would allow it to return to it in the shortest possible time. So long as the negotiation process leads to halting strikes on its military capabilities and preventing the destruction of the nuclear program, and enables the transfer of enriched uranium to a safe location, it can simultaneously create the two tracks in which it specializes—a false facade of negotiations alongside a hidden nuclear race.