In the Face of Forged Dead Sea Scroll Fragments, the Museum of the Bible Owns Up to Its Mistakes

March 30 2020

On March 13, the Museum of the Bible announced that all sixteen of the Dead Sea Scroll fragments in its possession have been shown to be forgeries. While many experts had originally believed these fragments to be authentic, some have been airing doubts for several years. When the museum first opened in 2017, it put some of them on display alongside notes indicating their uncertain provenance. Collette Loll, whose firm conducted the two-year investigation into the artifacts, defends the museum’s handling of the issue:

Instead of quietly removing the fragments from view, the Museum of the Bible, to its credit, went public with the news. Although headlines shouted “Museum of the Bible’s Dead Sea Scrolls Are All Forgeries,” the real news was the length to which the museum went to discover the truth, and what it means for other museums and research institutions that also have questioned fragments.

The tools we have today to detect forgeries have advanced since 2002, when a new batch of arguably authentic Dead Sea Scroll fragments appeared on the market. Science is constantly evolving, making it easier for collectors and researchers to distinguish treasures from trickery. Unfortunately, interrogation of works usually occurs too late, only after their purchase. It does nothing to prove legal or ethical ownership status. The more nefarious threat to the historical record comes from the many actors who legitimize dubious acquisitions by lending their professional and scholarly authority to objects that appear on the market, often unprovenanced. This scenario has only two possible outcomes, neither of them acceptable. Either they are forgeries or, worse, authentic and unprovenanced.

The best way for collectors and institutions to guard against deception, which is costly in terms of both economics and reputation, is to insist on solid provenance documentation—that is, to know exactly where an artifact or a piece of art comes from. . . . The Museum of the Bible and its founder no doubt made mistakes in the past, many of them stemming from a lack of due diligence and provenance verification. The unfortunate result of their mistakes provides a lesson that reinforces their commitment to adhering to collections best practices.

Read more at National Review

More about: Dead Sea Scrolls, Museum of the Bible

What Iran Seeks to Get from Cease-Fire Negotiations

June 20 2025

Yesterday, the Iranian foreign minister flew to Geneva to meet with European diplomats. President Trump, meanwhile, indicated that cease-fire negotiations might soon begin with Iran, which would presumably involve Tehran agreeing to make concessions regarding its nuclear program, while Washington pressures Israel to halt its military activities. According to Israeli media, Iran already began putting out feelers to the U.S. earlier this week. Aviram Bellaishe considers the purpose of these overtures:

The regime’s request to return to negotiations stems from the principle of deception and delay that has guided it for decades. Iran wants to extricate itself from a situation of total destruction of its nuclear facilities. It understands that to save the nuclear program, it must stop at a point that would allow it to return to it in the shortest possible time. So long as the negotiation process leads to halting strikes on its military capabilities and preventing the destruction of the nuclear program, and enables the transfer of enriched uranium to a safe location, it can simultaneously create the two tracks in which it specializes—a false facade of negotiations alongside a hidden nuclear race.

Read more at Jerusalem Center for Security and Foreign Affairs

More about: Iran, Israeli Security, U.S. Foreign policy