Over 40 years ago, Richard Hatch, a particle-physicist-turned-professional-magician—came across a German book about Jews and magic, published in 1933. Given the date, he assumed its author, Günther Dammann, was an anti-Semite repackaging familiar myths about Jews and the occult. Hatch revisited the book more recently, and discovered something very different, writes David Segal:
Dammann, it turns out, was a twenty-three-year-old Jew and amateur magician, the son of a well-off banker, who lived with his parents and brothers in Berlin when he self-published his book. It was 100 pages long and, historians say, the first attempt to inventory the great Jewish magicians, both living and dead.
Most of Jews in Magic is devoted to brief biographical essays in unadorned prose of more than 50 renowned professionals. One entry told the story of the Frenchman Alexander Herrmann, who, in decades of touring, dazzled Abraham Lincoln, Tsar Alexander, and the prisoners of Sing Sing and who pioneered the suave devil look—goatee, tuxedo—that became the industry standard. Another profiled Harry Houdini, the Hungarian-born son of a rabbi.
Since Dammann’s death, the ranks of Jewish conjurers have only grown. Among the notable: David Copperfield, David Blaine, Ricky Jay, Teller—who is the silent half of Penn & Teller—and Uri Geller, who, for the record, has long denied that his spoon bending is a trick. Gloria Dea, born Gloria Metzner, was the first magician to play Las Vegas. Max Maven, born Philip Goldstein, was one of the world’s most admired mentalists.
More about: German Jewry, Jewish history, Magic